The Plasticians The Plasticians Screenwriter: Eitan Mansuri Producer/s Eitan Mansuri , Spiro Films Language: Hebrew Format: Genre Send PITCHDECK LOGLINE An illegal plastic surgery clinic, binds the fate of a mother and daughter, who are dragged into running the business from their crumbling living room. As they rise as successful business-women, their harsh reality creeps back in, facing them with the realisation that their empowerment is a mere façade. SYNOPSIS An ambitious secretary, an immigrant from the USSR, wants to become a successful life coach. Unfortunately, she can't get out from under the burden of the symbiotic relationship with her mother, a surgeon from Moscow who has become a taxi driver since immigrating to Israel. In order to finally leave the house and jumpstart her career, she has to find a way for her mom to function without her. She decides to set up a makeshift surgical clinic at home, so her mother can regain the dignity and sense of purpose she lost. While she waits for the medical license to be approved, the underground clinic begins to grow. The daughter is tempted to give up on her own dreams and live forever alongside this happier and stronger version of her mother, the mother she always wanted. The two form a surprising camaraderie through their complicity in crime, and drag each other deeper into the underworld. WRITER'S STATEMENT I was born in St. Petersburg and grew up in an immigrant home in Israel, alongside two educated parents who managed to always take care of the family's financial security, but never found professional fulfilment. I am a daily witness to the dissonance between the successful professionals my parents once were, and the life of survival and compromise brought forth by immigration. The trauma of immigration naturally passed onto the next generation. The parent-child relationship was turned on its head, and the children often functioned as the responsible adults in the family. As someone who grew up this way, I have always had an impossible dream: to restore my parent’s dignity and see them strong and full of confidence. However, my parents and their friends chose to embrace life and live it to the fullest. They write plays for birthdays, record songs for each other, dance, drink and soothe their pain with a passion for life and love, trying above all else to forget the instability and uncertainty of life. The massive addiction to plastic surgery is in fact an attempt at controlling the uncontrollable, a human desire to look good, or simply be seen. In the unique clinic which our series creates, both the immigrant staff and their clients, are driven by the same human nature to survive. Plastic surgery has become even more popular and accessible in recent years. Still, it is a medical procedure, surgery, positioning the patients seeking treatment as 'ill,' not good-looking or young enough; consequently, the notion of 'healing' through a plastic surgery is very limited. In many cases, dealing with eternal appearance is caused by psychological problems that are neglected and even exacerbated. In this series, I hope to present the other side of the beauty industry's enticing brochures, and focusing on the mental motivations for seeking an external solution. ABOUT THE WRITER PRODUCER'S STATEMENT In 1990, the dissolution of the Soviet Union sparked a significant wave of Russian immigration worldwide. Among these migrations, the influx of Jewish Russians to Israel stands as the nation's largest ever witnessed, with one million individuals making the journey. While many managed to integrate successfully, others faced challenges. "The Plasticians" delves into the narratives of those who struggled to integrate fully into society but nonetheless, never gave up on their joy of life, their culture and definitely not on their dreams. This series raises relevant, global questions about immigration, belonging, and the coexistence of cultures within a nation. It offers a fresh perspective on Russian immigrants who abandoned their previous lives, professions, and sometimes families in pursuit of a new home. Hila Royzenman introduced the project at the Series Mania writer's campus 2022, showcasing her promise as a young director with a distinct voice and deep understanding of these characters' worlds. The series is multilingual, featuring dialogue in Hebrew, Russian, and English, indicating its potential to transcend borders. 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Shtukit Add a Title Add a Title Send Send Liat Revaya Producers: , Merav Hadas Haddad Shtukit Lab Edition 4 2025 PITCH LOGLINE Only two things stand between Bat-Or and her new life: God, and her father. One of them has to die and it won't be God. SYNOPSIS According to Jewish law, a "Shtukit" is a woman who doesn't know her father's identity and is suspected of being illegitimate, therefore forbidden to marry. Bat-Or is thirty, newly religious, and she keeps getting set up with men who aren't even close to her level. In the religious world, family background matters and hers is a disaster. Her mother's a former inmate with a weakness for weed and losers, living in a border town Bat-Or left behind. The man she thought was her father walked out when she was a kid. Even her aunt, a respectable nurse and the woman who actually raised her, doesn't help her case. Neither does her job teaching inmates. When she gets the chance to sell her grandmother's house and take all the money, suddenly, her stock goes up. In matchmaking, money talks louder than problematic family. For the first time, the matchmaker sets her up with Avihai, from a wealthy, respectable family, devout and kind. They meet, and it clicks instantly. In their world, to avoid living in sin, they need to marry within months. There's just one problem: Bat-Or doesn't know "Dad" wasn't her real father. And the secret is about to come out. WRITER'S STATEMENT I grew up in a border town in northern Israel, the youngest of seven in a complex family. I served five years as a detective before moving into documentary filmmaking. Today, I work as a documentary researcher and director at Keshet 12 and teach civics and motivation to lifers. The prison, the border town, the characters in Shtukit, these are places and people I know. Bat-Or, like me, wants a new life and a new family, but the past doesn't let go. Shtukit is an edgy dark comedy filled with human warmth. The humor and crime emerge naturally from who these characters are: ex-cons, hustlers, religious seekers living messy, complicated lives. The language is raw, the stakes are real. Visually, the series is realistic, unglamorous, unforgiving. War-worn exhaustion, prison grit, grandma's house with peeling paint. A border town, a prison, an old house, settings that create a stark contrast between what the characters dream of and the gritty reality they're trapped in. At its core, Shtukit is about the search for home: physical, emotional, stable. About what people are willing to do for a fresh start, even when the past refuses to stay buried. PRODUCER'S STATEMENT From the first moment we first read Shtukit, we immediately recognized a truly exceptional project—one unlike anything we had seen before. We all fell in love with the story, the writing, and with Meirav herself. For a long while now, we have been accompanying Meirav through the development and writing of her unique story. As we progress, we realize just how important this narrative is. It is a rare opportunity to bring a distinct female story to the forefront, balanced with a healthy dose of self-deprecating humor. At Tedy Productions, a company led by a team of strong proffesional women, we feel that creating with strong women carries a potent power that isn’t always heard. In Shtukit, we clearly identified the powerful female voice that Meirav brings—a voice we haven’t encountered in other projects. We believe in her unique perspective and are convinced that this is a powerful story that simply must reach the screen. LOOKING FOR Co-producers, Platforms, National and/or regional fund Back To Participants HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

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The Accident PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Maximiliano Schonfeld Maximiliano Schonfeld Director: 2013 Year of lab participation: 2 Lab edition: Argentina Country: Barbara Francisco & Delfina Montecchia Producer: The Black Forest (La helada negra) A young woman arrives at a farm threatened by a plague. The bewildered farmers yield to her interventions and the immediate neighborhood come to think of Alejandra as their great hope and she starts to be revered like a saint. Synopsis Mar del Plata Film Festival 2015 Berlin International Film Festival 2016 Haifa Film Festival 2016 Festivals & Awards 2016 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Veronica Kedar Veronica Kedar Director: 2013 Year of lab participation: 2 Lab edition: Israel Country: Mosh Danon Producer: Family It all began on one night, when Lily arrived at her therapist's house asking for an emergency session. She wants to explain why she killed her family. Synopsis Warsaw International Film Festival 2017 Imagine India International Film Festival 2018 - Best Director, Best Music Jerusalem Film Festival 2017 Brooklyn Horror Film Festival 2018 - Best Feature. Cinequest San Jose Film Festival 2019 - Best Sci-fi, Fantasy, Horror Feature Award. Jerusalem Sam Spiegel Film Lab 2013 - 1st Prize Winner Festivals & Awards 2017 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Wonderful news and a big congratulations to our 9th edition participants Marianna Bernnand Fortes and Carolina Benevides! "Manas" just won the Venice Days director’s award. A powerful and important story, we are proud that this film began its journey with us - and can't wait to see what happens next! Wonderful news and a big congratulations to our 9th edition participants Marianna Bernnand Fortes and Carolina Benevides! "Manas" just won the Venice Days director’s award. A powerful and important story, we are proud that this film began its journey with us - and can't wait to see what happens next! "Manas" Wins Venice Days Director's Award NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

FLEHMAN RESPONSE FLEHMAN RESPONSE Lillah Halla Producer Julia Niethammer (CHROMOSOM FILM GMBH) Lab Edition 10 , 2022 SCENE PITCH Production Country Germany SYNOPSIS Following the steps of Galileu, the stallion, a wave of horse suicides stuns Hanover. As corpses pile up on the outskirts of the city, some look for culprits, while others try to take advantage of the situation. Frida, the cook of the city's soup kitchen, prepares a special recipe for her unloved diners: a very unusual horse brown-soup.  In this dark surrealistic comedy, only those who can enjoy real collective pleasure will endure. DIRECTOR'S NOTE All I wished was to survive the lockdown, but then I got stuck in conservative Hanover. Before going mad, imagination and humor became my first aid kit. In the film, six harsh female characters- with not much in common other than their lack of charisma, meet in a soup trip to finally find joy through belonging. In a pot where prejudices around otherness melt, Flehmen becomes an attempt to make the unfamiliar familiar. LOG LINE Thou who has never laughed and danced to exhaustion, cast the first stone. Or rather, the first horse! ABOUT THE FILMMAKER PRODUCER Julia Niethammer (CHROMOSOM FILM GMBH) Chromosom Film is a Berlin-based film company, founded by Alexander Wadouh in 2006. We focus on developing and producing national and international fiction and documentary films with a political ethos and zeitgeist. The great success of Jan-Ole Gerster’s OH BOY and the extensive international festival feedback for Noaz Deshe’s WHITE SHADOW and Gabrielle Brady’s ISLAND OF THE HUNGRY GHOSTS, as well as the theatrical success of BORGA by York-Fabian Raabe pave the way for further courageous films with powerful voices and singular penmanship. Julia produced the documentary Island of the Hungry Ghosts (2018) by Gabrielle Brady, which won more than 20 international awards and was nominated for an Independent Spirit Award in 2019. She has an academic background in Media Science from Marburg University. She started in film production with Flying Moon, before joining Chromosom in 2012. PRODUCTION COMPANY PROFILE Company name & city : Chromosom Film GmbH, Berlin contact email: julia@chromosom-film.de contact telephone number: +49 30 8937 8081 PRODUCTION BUDGET The production budget in USD: 1.9 Mio confirmed budget in USD and source:  LANGUAGE German Dark Comedy GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Gut Feeling 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Gut Feeling Filmmakers Gilad Inbar, Benny Fredman Producer Benny Fredman Production Company Red Films LTD, United King Films, Amir Gedalia Productions Country Israel Lab Edition 13 , 2025 SCENE PITCH SHORT SYNOPSIS Iris, a skilled operative in Israel’s Secret Service, faces an unexpected pregnancy by her partner, Dotan, a SWAT officer. The pregnancy exposes long-buried trauma that interferes with her ability to do her job. Despite Dotan’s pleas, she schedules an abortion. During a mission, a panic attack stops her from apprehending one of her informants. When he takes hostages, Iris insists on tracking him down. But Dotan, fully aware of her condition, is determined to pull her out of the field—even at the cost of their relationship. Iris must choose between her identity as a fighter and the instincts of a mother awakening within her. DIRECTOR’S NOTE Iris grew up in the shadow of her father, a heroic soldier killed in action. That grief convinced her never to bring children into a world of loss. But an unexpected pregnancy forces her to choose between her identity as a fighter and the instinct urging her to protect her unborn child. Framed as a thriller, our story follows a female fighter in today’s Israel, searching for hope amid darkness. We both have daughters in the army. The panic that grips Iris is the sum of our daughters’ fears and our own, as their parents. How do you raise a child in a reality where everything can shatter in an instant? ABOUT THE FILMMAKERS ○ Gilad Inbar is a director & editor. His directing credits include ”Shlomo Bar– A Musical Documentary” (2022), screened at Docaviv and Krakow, and ”The Hungarian Cube – A Journey with Andre Hajdu” (2013), broadcast on Channel 8. As an editor, Inbar’s credits include Benny Fredman's ”Home” - nominated for Best Editing at the Ophir Awards; Amichai Greenberg's ”The Testament”- screened at Venice IFF and Benny Fredman’s ”Suicide”- distributed by Netflix. Inbar graduated with honors from the Sam Spiegel School. ○ Benny Fredman is a writer & director known for “Home” (2023), winner of multiple Ophir Awards; the suspense miniseries “Suspect” (2015, Channel 10); the provocative series “Everything is Judgeable” (2015, Israel Broadcasting Authority); the feature thriller “Suicide” (2014), The Jerusalem Film Festival. Distributed by Netflix; and the short film “Leak” (2012), screened at festivals in Las Vegas, Miami, and Tacoma. ABOUT THE FILMMAKER PRODUCER Benny Fredman Red Films is a production company known for producing TV series such as ”Suspect”, and feature films including the Netflix film ”Suicide” and the Ophir Award-winning ”Home”. The company also produces documentaries, such as ”Moving the Embassy”, broadcast on TBN, and ”Poogy’s Last Festival”. PRODUCTION COMPANY PROFILE ○ Red Films LTD / Jerusalem ○ +972543474448 ○ benif123@gmail.com PRODUCTION BUDGET ○ Total budget: 2,100,000 USD ○ Confirmed budget and source: 285,000 USD (Amir Gedalia productions, SE productions) LANGUAGE Hebrew, Arabic GENRE Drama, Thriller Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Adriano Valerio Adriano Valerio Director: 2015 Year of lab participation: 4 Lab edition: Italy Country: Mario Mazzarotto Producer: Banat Two Italians looking for work and happiness abroad. Synopsis Venice Film Festival 2015 Warsaw Film Festival 2015 Tirana International Film Festival, AL 2015 - Best Cinematography Palm Springs International Film Festival 2016 Festivals & Awards 2015 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Alvaro Brechner 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Alvaro Brechner 2012 Year of lab participation: 1 Lab edition: Country: Uruguay Producer: Mariana Secco Mr. Kaplan A grumpy old man sees opportunity when he learns of a mysterious German man he suspects is a Nazi in hiding. Lab edition: Mar del Plata Film Festival 2014 - Best Latin American Feature Film Monte-Carlo Comedy Film Festival 2015 - Best Actor Biarritz International Festival of Latin American Cinema 2014 - Best Actor Huelva Latin American Film Festival 2014 - Best Screenplay Uruguayan Film Critics Association Awards 2014 - Best Uruguayan Film, Best Art Direction, Best Director, Best Photography, Best Screenplay, Best Sound, Best Actress, Best Latin American Film BFI London Film Festival 2014 Goya Awards 2015 Palm Springs International Film Festival 2015 Synopsis 2014 Year of release: PITCH Trailer PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Dani Rosenberg 13TH EDITION CATALOGUE 13TH EDITION PARTICIPANTS AND PROJECTS MENTORS JURY TEAM LAB FILMS Director: Dani Rosenberg 2013 Year of lab participation: 2 Lab edition: Country: Israel Producer: Chilik Michaeli The Vanishing Soldier Eighteen-year-old Israeli soldier flees back to his girlfriend in Tel Aviv only to discover that the military elite is convinced he was kidnapped in the fog of war. Lab edition: Locarno Film Festival 2023 Reykjavik International Film Festival 2023 Haifa International Film Festival 2023 - Best Film Montpellier Mediterranean Film Festival 2023 Thessaloniki Film Festival 2023 Busan International Film Festival 2023 Israeli Film Academy Awards 2023 - Best Cinematography Jerusalem Sam Spiegel Film Lab 2013 - 2nd Prize Winner Synopsis 2023 Year of release: PITCH Trailer PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PROFESSIONAL GUESTS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS