American television writer and producer Lauren Gussis Vice Chairman of the Lionsgate Television Group Sandra Stern Lionsgate Television Group Head of UK/IE Acquisitions and Israel Content, Netflix Sam Blanco Netflix JURY 2024 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Can a project be submitted after it was rejected in the past? A project may be submitted once more (total of two submissions) after receiving special permission from the JSFL, based on the development of the project between both submissions. In order to receive this permission, the applicant must send the JSFL a description of the major changes the project has undergone since the first submission, up to 2 weeks before the submission deadline. Can a director/writer submit a number of projects in the same year? A director/writer may submit one project per JSFL edition. Can a producer submit a number of projects in the same year? Can more than one be selected in the same edition? A producer may submit two projects. Two projects by the same producer can be selected for the same edition. The website states the submitted project must be the first or second feature film. Can it be the director's third feature and producer’s first/second? The submitted project must be the first or second feature-length narrative film directed by the director/writer. There is no minimum or maximum of films for the producer, although the JSFL does look at producers' experience as part of the feasibility of the project. Can I apply to JSFL if I’m not a graduate of Sam Spiegel Film School? The JSFL is open to graduates of all film schools in Israel and worldwide. Can I apply to JSFL if I’m not a graduate of any film school? Yes, as long as you meet all the criteria as defined in the eligibility section. Does the project have to be an English speaking film? The film can speak any language, but the working script must be in English, as English is the working language of the JSFL. Which of the project team members need to participate at which of the three sessions? The filmmaker and co-writer or co-director, must participate in all three sessions (December/January, March/April & July). The producer must participate in the third session (July) and in one meeting at each of the first two sessions - via zoom. What happens if the project has two screenwriters? Can a second writer take part? The JSFL will cover the expenses of the filmmaker as detailed in JSFL/PARTICIPANTS OBLIGATIONS. A second writer may join the sessions at their own expense, and share the same room assigned to the filmmaker. I'd like to submit an Israeli project. Will I need to translate my submission materials/script during the process? Or can I submit all my materials in Hebrew? Israeli projects are submitted in Hebrew. All the materials, including the script if you are selected to submit a full script, will be reviewed in Hebrew. Having said that, if the Israeli applicant prefers to apply in English, he or she may do so, after receiving a written approval from the Lab's staff. HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

CEO of the Austrian Film Institute since May 2004. After initially studying history, political science and ethnology at the University of Innsbruck, he obtained a law degree at the University of Vienna. At the end of 1999, Roland Teichmann started to work at the Austrian Federal Economic Chamber as a lawyer in the Industry Department. In 2001, he went on to become general manager of the Association of the Audiovisual and Film Industry, a body representing the interests of the Austrian film and music industry at the Federal Economic Chamber. Later on he was appointed CEO of the Austrian Film Institute. So far, Roland Teichmann has had the following functions (selection): Managing director of the Association of Film Distributors at the Austrian Federal Economic Chamber, member of the board of the Austrian Film Commission, representative for Austria and board member of EFAD (European Film Agency Directors), chairman of the advisory board of the Television Film Fund managed by the Austrian communication regulatory authority RTR and member of the European Film Academy (EFA). Roland Teichmann HEAD OF JURY As co-president and chief operating officer, Steinman oversees the creative and business teams at 30WEST, a diversified entertainment company that includes a studio that finances film and television as well as an investment arm with corporate holdings in the culture and media space. 30WEST film and television projects include I, TONYA, TIGER KING and THE CONTRACTOR as well as the upcoming POWER BALLAD and BIG, BOLD, BEAUTIFUL JOURNEY. Prior to founding 30WEST, Steinman served as Co-President and Chief Operating Officer of Black Bear Pictures. Simultaneously, he was Chief Executive Officer of its Canadian distribution subsidiary, Elevation Pictures, where he built that company’s production services division. Before Black Bear and Elevation, Steinman served as a senior financing and sales agent in CAA’s Film Finance Group for close to a decade. Earlier in his career, Steinman worked as a corporate attorney at the Wall Street firm Simpson Thacher & Bartlett and then became a partner in a New York-based entertainment firm, where he developed his expertise in media law and film finance while representing producers, filmmakers and media companies. Steinman is a graduate of Harvard University, from which he holds both a JD and a BA in English and American Literature. He lives in New York with his wife and three children. Daniel Steinman Since her beginning in advertising and then film production, Diana Elbaum has produced a vast number of films. Most of them where showcased and awarded in major festivals. Her films cover a large sample of genre and come from all horizons and cultures. Diana set up her first company, Entre Chien et Loup, in 1989. In 2017, Diana Elbaum opened her new company, Beluga Tree, in association with Caviar (War Pony, Sound of Metal, The Rider, Bad Sisters). She produced over 100 features and documentaries with talents such as Chantal Akerman, Mahamat Saleh Haroun, Paul Verhoeven, Adil El Arbi and Bilall Fallah Lisa Azuelos, Raoul Peck, Nabil Ben Yadir, Ari Folman, Yuval Adler, Eran Kolirin and Isold Uggadottir, Julie Bertucelli. In 2023, Diana coproduced un Certain Regard Jury prize, Kamal Lazraq's for LES MEUTES and the Jury Prize of the 80th Venice film Festival Agnieszka Holland's GREEN BORDER. In 2009, she received the European Film academy award for best producer Diana is deeply committed to training the next generation of producers internationally and join the expert and group leader team of EAVE in 2007. Since 2020, Diana is also a group leader for Indaba from the Realness Institute as well as EAVE's Access and Elan programs (Canada). Diana is also Member of the UPFF+ (Producer's union in Belgium) and member of the Oscar Academy, Cesar Academy and Paul Delvaux Academy. Diana Elbaum JURY 2024 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 12TH EDITION CATALOGUE GREETINGS 12TH EDITION PARTICIPANTS AND PROJECTS JURY MENTORS LAB FILMS LIVE

In her 6.5 years at Netflix Sam has closely collaborated with producers and broadcasters across the whole of EMEA to build an extensive slate of co-productions. She has worked across all EMEA markets to bring local language library content to Netflix. In 2022 She became head of UK/IE content acquisitions and all content for Israel. She recently commissioned the first original Israeli series BROS as well as establishing deals with all local Israeli broadcasters and producers to bring the best local content to the Israel content slate. Previous to Netflix Sam worked at Sky for 6 years in production and before that as a script editor at the BBC. Sam Blanco Head of UK/IE Acquisitions and Israel Content, Netflix , UK Sandra Stern is the Vice Chairman of the Lionsgate Television Group, serving as a key member of the Company’s senior management team for nearly 20 years and helping to guide Lionsgate’s television business to record-breaking revenue growth during nearly every year of her tenure. Lionsgate Television is producing a robust slate of scripted series this year. Twelve of these series are already in their third seasons or later, including THE ROOKIE, GHOSTS, and the hit drama POWER BOOK III: RAISING KANAN. Upcoming series include Seth Rogen’s half-hour comedy THE STUDIO, as well as the thriller THE HUNTING WIVES and the highly anticipated SPARTACUS: HOUSE OF ASHUR. Stern has innovated deals for iconic Lionsgate series including MAD MEN (AMC), WEEDS (Showtime) and ORANGE IS THE NEW BLACK (Netflix). She also played a key role in Lionsgate’s acquisition of global entertainment platform eOne and in the investment in leading talent management & production company 3 Arts Entertainment. Sandra Stern Vice Chairman of the Lionsgate Television Group , USA Lauren worked all eight seasons on the original DEXTER for Showtime, graduating from staff writer to co-executive producer. She then developed, wrote and executive produced a pilot with Ryan Murphy, HBO’s OPEN (2014), starring Michelle Monaghan. Under a nine-year overall deal with CBS, she developed several pitches and sold nine pilots, including Netflix’s INSATIABLE (2018-19), starring Debby Ryan, which she show-ran for two seasons. Lauren’s broadcast credits include NBC’s E-RING, ABC’s ONCE UPON A TIME, and CBS’s GOOD SAM. Lauren is currently developing a modern reboot of the classic nighttime 90’s soap opera, MELROSE PLACE, with several original cast members attached, in addition to several other projects, which range from procedural to edgy dramedy. Lauren Gussis American television writer and producer , USA JURY 2024 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Founding member of the script analysis team of the Creative Europe Producer Training Programme, EAVE, Clare has been with the JSFL since its inception in 2011 and in that context she mentored JSFL films such as The Kindergarten Teacher (Critics Week, Cannes 2014); The Accused (Venice, Toronto 2018); Murina (Camera d’Or, Directors’ Fortnight 2021); Cinema Sabaya (Israel’s Oscar submission 2022). She was Director of the Association of Independent Producers (1978-1980); Director of International Creative Affairs for The Ladd Company (1981-83); Producer of award-winning films - The Dress (1985) BAFTA best short; the feature High Season (1987) San Sebastian, Best Screenplay. A much sought-after consultant to various film funds and many international script workshops. Clare Downs UK Screenwriter and script consultant, Jacques has been an integral part of the Sam Spiegel International Film Lab since its inception in 2011. A graduate of NYU, he has worked with directors such as Bresson and Von Trier. He was involved with the development of award-winning films, many of which premiered at Cannes: A Screaming Man (Jury Prize, 2010 Cannes); Girls of the Sun (Cannes 2018); Raw (Cannes Critics Week 2016). A teacher of writing and directing at La Femis since 1988, Jacques has facilitated many international screenwriting and development workshops. Jacques Akchoti France Thomas Hailer is the Artistic Director of the Nordic Film Days, Lübeck. From 2008 to 2019 he was responsible for the program of the International Competition as Berlinale curator alongside the festival director. He has been working as a dramaturg and script consultant since 1995. As a freelance dramaturg, he supervised, among others, the film adaptation of A.S. Neill‘s classic children‘s book The Green Cloud as well as Bernd Sahling‘s German Film Award-winning feature film The Duds. His current projects include script consulting for Barbara Kronenberg‘s directorial debut Mission Ulja Funk which premiered at the Berlinale 2021. Thomas Hailer Germany Film director, screenwriter, script consultant, Sari born in Cannes, France. In 2008, she founded her own company for script consulting services (Scriptlight.com) and developed her own screenwriting method, which she teaches in professional workshops and master classes. Sari works as an artistic consultant for the Israeli Film Funds and as a mentor in workshops worldwide. She developed and script edited series such as Fauda (seasons 2, 3 and 4), Pillars of Smoke and others. She script edited the films The Cousin and The Testimony, which both took part in the Venice film festival and more. Sari Azoulay Turgeman Israel MENTORS 2024 HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS PAST MENTORS Chief Content Officer at Beta Film GmbH, Koby has more than 17 years of experience in television and film. A graduate of the Sam Spiegel Film and Television School, Koby was previously chief content officer at YES, Israel’s leading satellite and OTT platform. Under his tenure, his credits included Fauda; Your Honour; On the Spectrum; Magpie; The Good Cop and Just for Today. Koby Gal-Raday Israel Avi Nesher's acclaimed films have played a major part in Israeli cinema's success and rise to international prominence. His films have netted multiple Israeli Academy Award wins and over two dozen nominations. Among his best-known features are Turn Left at the End of the World; The Troupe, which has become a cult classic; and Rage & Glory. His latest film is the 2023 feature The Monkey House. Nesher was awarded the Cinematic Excellence Award at the Haifa Film Festival; the Outstanding Achievement Award at the Jerusalem Film Festival and a star on the Avenue of the Stars. Avi Nesher Israel Eran Riklis is one of Israel's most acclaimed film makers and has been working as director, writer and producer for over thirty years. Among his best-known features are Lemon Tree; The Syrian Bride and Dancing Arabs. Riklis is a graduate of the National Film & TV School in Beaconsfield, England and also studied at the film department of the Tel Aviv University. Eran Riklis Israel Hagai Levi is a writer, director and producer who, among others, wrote and directed the adaptation of Scenes from a Marriage for HBO, in 2015 Levi won the Golden Globe award for best drama series as the co-creator and co-producer of the series The Affair (Showtime, 2014); he co-created, co-directed and co-produced the HBO series Our Boys which won the Israeli academy award for best series. In 2005, Levi created, co-produced and co-directed the Israeli TV series BiTipul, later adapted to the HBO's series In Treatment (2007-2010). Hagai Levi Israel Gino Ventriglia is a script consultant for cinema and television production companies. He was the recipient of a Fulbright Fellowship and achieved a double Master of Fine Arts in Directing and Screenwriting at USC. He has written for both screen and television and has been a tutor with the Torino Film Lab Writers’ Room (Transmedia Projects) and with the Biennale College Cinema, Cinema Festival of Venice. Gino Ventriglia Italy

Founding member of the script analysis team of the Creative Europe Producer Training Programme, EAVE, Clare has been with the JSFL since its inception in 2011 and in that context she mentored JSFL films such as The Kindergarten Teacher (Critics Week, Cannes 2014); The Accused (Venice, Toronto 2018); Murina (Camera d’Or, Directors’ Fortnight 2021); Cinema Sabaya (Israel’s Oscar submission 2022). She was Director of the Association of Independent Producers (1978-1980); Director of International Creative Affairs for The Ladd Company (1981-83); Producer of award-winning films - The Dress (1985) BAFTA best short; the feature High Season (1987) San Sebastian, Best Screenplay. A much sought-after consultant to various film funds and many international script workshops. Clare Downs UK Screenwriter and script consultant, Jacques has been an integral part of the Sam Spiegel International Film Lab since its inception in 2011. A graduate of NYU, he has worked with directors such as Bresson and Von Trier. He was involved with the development of award-winning films, many of which premiered at Cannes: A Screaming Man (Jury Prize, 2010 Cannes); Girls of the Sun (Cannes 2018); Raw (Cannes Critics Week 2016). A teacher of writing and directing at La Femis since 1988, Jacques has facilitated many international screenwriting and development workshops. Jacques Akchoti France Thomas Hailer is the Artistic Director of the Nordic Film Days, Lübeck. From 2008 to 2019 he was responsible for the program of the International Competition as Berlinale curator alongside the festival director. He has been working as a dramaturg and script consultant since 1995. As a freelance dramaturg, he supervised, among others, the film adaptation of A.S. Neill‘s classic children‘s book The Green Cloud as well as Bernd Sahling‘s German Film Award-winning feature film The Duds. His current projects include script consulting for Barbara Kronenberg‘s directorial debut Mission Ulja Funk which premiered at the Berlinale 2021. Thomas Hailer Germany Film director, screenwriter, script consultant, Sari born in Cannes, France. In 2008, she founded her own company for script consulting services (Scriptlight.com) and developed her own screenwriting method, which she teaches in professional workshops and master classes. Sari works as an artistic consultant for the Israeli Film Funds and as a mentor in workshops worldwide. She developed and script edited series such as Fauda (seasons 2, 3 and 4), Pillars of Smoke and others. She script edited the films The Cousin and The Testimony, which both took part in the Venice film festival and more. Sari Azoulay Turgeman Israel MENTORS 2024 PITCH TRAINER In 2012, after more than 20 years in distribution, Dominique Welinski founded DW, a production and consulting company. Since then, she curates and produces the Factory program at Director’s Fortnight in Cannes. She has produced or co-produced among others: Sanjeewa Pushpakumara Burning Birds; Alireza Khatami’s Oblivion Verses; Midi Z Road to Mandalay; John Tengrove The Wound; Suba Sivakumaran House of My Fathers and Yona Rozenkier The Dive and The Road to Eilat. DW is currently developing films in Sri Lanka, Israel, India and Greece. The pitch training is in courtesy of the Shuster Polakoff foundation. Dominique Welinski France PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 12TH EDITION CATALOGUE GREETINGS 12TH EDITION PARTICIPANTS AND PROJECTS JURY MENTORS LAB FILMS LIVE GUEST Craig Emanuel is practicing as an attorney for more than 40 years. Most recently Craig was a partner in Paul Hastings’s Century City office and was previously the chair of the Firm’s Global Entertainment and Media Group. Starting in November 2023, Craig is currently working full time with his client of nearly 30 years, Ryan Murphy ("Nip/Tuck", "Eat, Pray, Love"). Regularly named among the most influential in Hollywood, Craig has been recognized in The Hollywood Reporter’s “Power Lawyers Top 100” list and Variety’s “Dealmakers Impact Report” and “Variety500” list, among other leading publications. He is ranked in Chambers USA in Media & Entertainment, where clients appreciate his “‘great sense of the business and what's happening in the industry’” . Craig Emanuel

CEO of the Austrian Film Institute since May 2004. After initially studying history, political science and ethnology at the University of Innsbruck, he obtained a law degree at the University of Vienna. At the end of 1999, Roland Teichmann started to work at the Austrian Federal Economic Chamber as a lawyer in the Industry Department. In 2001, he went on to become general manager of the Association of the Audiovisual and Film Industry, a body representing the interests of the Austrian film and music industry at the Federal Economic Chamber. Later on he was appointed CEO of the Austrian Film Institute. So far, Roland Teichmann has had the following functions (selection): Managing director of the Association of Film Distributors at the Austrian Federal Economic Chamber, member of the board of the Austrian Film Commission, representative for Austria and board member of EFAD (European Film Agency Directors), chairman of the advisory board of the Television Film Fund managed by the Austrian communication regulatory authority RTR and member of the European Film Academy (EFA). Roland Teichmann HEAD OF JURY As co-president and chief operating officer, Steinman oversees the creative and business teams at 30WEST, a diversified entertainment company that includes a studio that finances film and television as well as an investment arm with corporate holdings in the culture and media space. 30WEST film and television projects include I, TONYA, TIGER KING and THE CONTRACTOR as well as the upcoming POWER BALLAD and BIG, BOLD, BEAUTIFUL JOURNEY. Prior to founding 30WEST, Steinman served as Co-President and Chief Operating Officer of Black Bear Pictures. Simultaneously, he was Chief Executive Officer of its Canadian distribution subsidiary, Elevation Pictures, where he built that company’s production services division. Before Black Bear and Elevation, Steinman served as a senior financing and sales agent in CAA’s Film Finance Group for close to a decade. Earlier in his career, Steinman worked as a corporate attorney at the Wall Street firm Simpson Thacher & Bartlett and then became a partner in a New York-based entertainment firm, where he developed his expertise in media law and film finance while representing producers, filmmakers and media companies. Steinman is a graduate of Harvard University, from which he holds both a JD and a BA in English and American Literature. He lives in New York with his wife and three children. Daniel Steinman Since her beginning in advertising and then film production, Diana Elbaum has produced a vast number of films. Most of them where showcased and awarded in major festivals. Her films cover a large sample of genre and come from all horizons and cultures. Diana set up her first company, Entre Chien et Loup, in 1989. In 2017, Diana Elbaum opened her new company, Beluga Tree, in association with Caviar (War Pony, Sound of Metal, The Rider, Bad Sisters). She produced over 100 features and documentaries with talents such as Chantal Akerman, Mahamat Saleh Haroun, Paul Verhoeven, Adil El Arbi and Bilall Fallah Lisa Azuelos, Raoul Peck, Nabil Ben Yadir, Ari Folman, Yuval Adler, Eran Kolirin and Isold Uggadottir, Julie Bertucelli. In 2023, Diana coproduced un Certain Regard Jury prize, Kamal Lazraq's for LES MEUTES and the Jury Prize of the 80th Venice film Festival Agnieszka Holland's GREEN BORDER. In 2009, she received the European Film academy award for best producer Diana is deeply committed to training the next generation of producers internationally and join the expert and group leader team of EAVE in 2007. Since 2020, Diana is also a group leader for Indaba from the Realness Institute as well as EAVE's Access and Elan programs (Canada). Diana is also Member of the UPFF+ (Producer's union in Belgium) and member of the Oscar Academy, Cesar Academy and Paul Delvaux Academy. Diana Elbaum JURY 2024 HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

JSFL is aimed at writers/directors from all over the world who are developing a 1st or 2nd fiction feature film. Projects must be at an advanced stage of development, having a full script, that is a solid, workable draft. If the script writer is not the director, he/she must submit and participate with a director. ​TARGET PARTICIPANTS JSFL selects a mix of Israeli and international projects, 12 in total. The international projects are by invitation only, while the Israeli projects can apply through an open call. Eligible Lab applicants are writer/directors [1], who are within the process of working on their first or second full-length feature film, and have directed at least two short films or a television drama or documentary film, or an episode in a television series (two from any of the above), whose production has inspired international and/or local attention [2]. The filmmaker states that they possess a script for a full-length feature film, which they wrote or were a full partner in writing; that they possess full copyrights to the script, and possess the ability to develop it independently, or with the assistance of a script writing partner. In the case that a film is submitted by a script writer, who is not a director, the project must be attached to a director, and the director must take part in the Lab as well. Each project must have a producer committed to the project and he/she cannot be the filmmaker him/herself. English is the working language of the JSFL. Candidates must have sufficient fluency and comprehension in the language. _______________________________________ [1] A director who does not serve as the sole scriptwriter of the project is allowed to invite a scriptwriting partner to the Film Lab, upon advance approval by the Film Lab staff. All expenses of the participation of this script writer will be borne by the director or their representative. In the case that a film is submitted by a scriptwriter, who is not a director, the project must be attached to a director, and the director must take part in the Lab as well. All expenses of the participation of this director will be borne by the script writer or his representative. [2] A candidate who has directed only one short fiction which has attracted international attention is eligible to apply to the JSFL. The Lab is entitled to separately examine exceptional cases such as this and other. ​ International projects- materials must be submitted in English. Israeli projects- materials may be submitted in Hebrew, for the submission process only. ELIGIBILITY Participation fee is 1,000 Euro per project. Throughout the entire duration of the Jerusalem based activities, the JSFL will host the JSFL participants from across the world and from Israel, and will provide local transportation, lodging and board (full breakfast; lunch and/or dinner). Participants must pay all air-travel costs for the sessions. This includes the expenses of the producer for the third session. JSFL will cover two nights of lodging for the producer in July. In many countries bursaries and scholarships are available for this kind of training. PARTICIPATION FEES The selection process includes 3 stages: 1. Submission of project dossier . Dossier includes: A logline & short synopsis 3-5 page synopsis Director's/writer's statement Link to director's/writer's previous work Biographies and filmographies of all partners and project status. Projects selected for 2nd stage: 2. Submission of full script . Candidates will have approx. 10 days from notification to submission of script, which means script must be ready in advance (at the International projects, in English). Projects selected for 3rd stage: 3. Interviews - Physical Interviews for Israeli projects, and Online Interviews via Skype/Zoom for International projects. Both writer/director & producer must be present in the interview. Selected filmmakers will be informed by the end of October 2023. For more information please check our FAQ or contact: lab@jsfs.co.il SELECTION PROCESS The selection process includes 3 stages: 1. Submission of project dossier . Dossier includes: A logline & short synopsis 3-5 page synopsis Director's/writer's statement Link to director's/writer's previous work Biographies and filmographies of all partners and project status. Projects selected for 2nd stage: 2. Submission of full script . Candidates will have approx. 10 days from notification to submission of script, which means script must be ready in advance (at the International projects, in English). Projects selected for 3rd stage: 3. Interviews - Physical Interviews for Israeli projects, and Online Interviews via Skype/Zoom for International projects. Both writer/director & producer must be present in the interview. Selected filmmakers will be informed by the end of October 2023. For more information please check our FAQ or contact: lab@jsfs.co.il SELECTION PROCESS Each edition of the JSFL lasts 7- 8 months over 3 sessions that take place in Jerusalem and/or online. The first session is an online 4-6 days session, held usually in December. The second is a 4-6 day session, held in Jerusalem, usually in March or April and the final 3–5-day session takes place in July. The first two sessions focus on writing: each filmmaker progressing through dialog with the script editor they have been assigned. The producer must attend one online meeting during these sessions. Between these two sessions, and before the final one, an online meeting is scheduled to aid the progression of the writing. The third session revolves around the JSFL pitching event, which takes place during the Jerusalem Film Festival, and introduces the projects to an internationally renowned jury and an audience of influential decision makers including producers, sales agents and festival programmers. The film producers must be present and take part in the pitching. In preparation for the third and final session, the filmmakers are required to produce one scene from the script (not longer than 3 min), which will be screened at the pitching event and will serve to communicate the artistic vision of the director. The scene will also be uploaded to the Lab's website. Ahead of the pitching event filmmakers will receive a short pitching training (courtesy of the Shuster Polakoff Foundation). ​JSFL SCHEDULE The Sam Spiegel International Film Lab Grand Production Prize- 35,000-50,000 USD The Sam Spiegel International Film Lab- Emerging Filmmaker Production Award- 15,000-20,000 USD Generously donated by the Beracha Foundation *The Lab holds the rights to change the amount of the prizes. The prizes will be given to the main director/ writer of the film. 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HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ JSFL is aimed at writers/directors from all over the world who are developing a 1st or 2nd fiction feature film. Projects must be at an advanced stage of development, having a full script, that is a solid, workable draft. If the script writer is not the director, he/she must submit and participate with a director. ​TARGET PARTICIPANTS JSFL selects a mix of Israeli and international projects, 12 in total. The international projects are by invitation only, while the Israeli projects can apply through an open call. Eligible Lab applicants are writer/directors [1], who are within the process of working on their first or second full-length feature film, and have directed at least two short films or a television drama or documentary film, or an episode in a television series (two from any of the above), whose production has inspired international and/or local attention [2]. The filmmaker states that they possess a script for a full-length feature film, which they wrote or were a full partner in writing; that they possess full copyrights to the script, and possess the ability to develop it independently, or with the assistance of a script writing partner. In the case that a film is submitted by a script writer, who is not a director, the project must be attached to a director, and the director must take part in the Lab as well. Each project must have a producer committed to the project and he/she cannot be the filmmaker him/herself. English is the working language of the JSFL. Candidates must have sufficient fluency and comprehension in the language. _______________________________________ [1] A director who does not serve as the sole scriptwriter of the project is allowed to invite a scriptwriting partner to the Film Lab, upon advance approval by the Film Lab staff. All expenses of the participation of this script writer will be borne by the director or their representative. In the case that a film is submitted by a scriptwriter, who is not a director, the project must be attached to a director, and the director must take part in the Lab as well. All expenses of the participation of this director will be borne by the script writer or his representative. [2] A candidate who has directed only one short fiction which has attracted international attention is eligible to apply to the JSFL. The Lab is entitled to separately examine exceptional cases such as this and other. ​ International projects- materials must be submitted in English. Israeli projects- materials may be submitted in Hebrew, for the submission process only. ELIGIBILITY Participation fee is 1,000 Euro per project. Throughout the entire duration of the Jerusalem based activities, the JSFL will host the JSFL participants from across the world and from Israel, and will provide local transportation, lodging and board (full breakfast; lunch and/or dinner). Participants must pay all air-travel costs for the sessions. This includes the expenses of the producer for the third session. JSFL will cover two nights of lodging for the producer in July. In many countries bursaries and scholarships are available for this kind of training. PARTICIPATION FEES The selection process includes 3 stages: 1. Submission of project dossier . Dossier includes: A logline & short synopsis 3-5 page synopsis Director's/writer's statement Link to director's/writer's previous work Biographies and filmographies of all partners and project status. Projects selected for 2nd stage: 2. Submission of full script . Candidates will have approx. 10 days from notification to submission of script, which means script must be ready in advance (at the International projects, in English). Projects selected for 3rd stage: 3. Interviews - Physical Interviews for Israeli projects, and Online Interviews via Skype/Zoom for International projects. Both writer/director & producer must be present in the interview. Selected filmmakers will be informed by the end of October 2023. For more information please check our FAQ or contact: lab@jsfs.co.il SELECTION PROCESS The selection process includes 3 stages: 1. Submission of project dossier . Dossier includes: A logline & short synopsis 3-5 page synopsis Director's/writer's statement Link to director's/writer's previous work Biographies and filmographies of all partners and project status. Projects selected for 2nd stage: 2. Submission of full script . Candidates will have approx. 10 days from notification to submission of script, which means script must be ready in advance (at the International projects, in English). Projects selected for 3rd stage: 3. Interviews - Physical Interviews for Israeli projects, and Online Interviews via Skype/Zoom for International projects. Both writer/director & producer must be present in the interview. Selected filmmakers will be informed by the end of October 2023. For more information please check our FAQ or contact: lab@jsfs.co.il SELECTION PROCESS The Sam Spiegel International Film Lab Grand Production Prize- 35,000-50,000 USD The Sam Spiegel International Film Lab- Emerging Filmmaker Production Award- 15,000-20,000 USD Generously donated by the Beracha Foundation *The Lab holds the rights to change the amount of the prizes. The prizes will be given to the main director/ writer of the film. PRIZES Each edition of the JSFL lasts 7- 8 months over 3 sessions that take place in Jerusalem and/or online. The first session is an online 4-6 days session, held usually in December. The second is a 4-6 day session, held in Jerusalem, usually in March or April and the final 3–5-day session takes place in July. The first two sessions focus on writing: each filmmaker progressing through dialog with the script editor they have been assigned. The producer must attend one online meeting during these sessions. Between these two sessions, and before the final one, an online meeting is scheduled to aid the progression of the writing. The third session revolves around the JSFL pitching event, which takes place during the Jerusalem Film Festival, and introduces the projects to an internationally renowned jury and an audience of influential decision makers including producers, sales agents and festival programmers. The film producers must be present and take part in the pitching. In preparation for the third and final session, the filmmakers are required to produce one scene from the script (not longer than 3 min), which will be screened at the pitching event and will serve to communicate the artistic vision of the director. The scene will also be uploaded to the Lab's website. Ahead of the pitching event filmmakers will receive a short pitching training (courtesy of the Shuster Polakoff Foundation). ​JSFL SCHEDULE PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

The third edition of the Series Lab concluded in LA last week with "The Lampshade" by screenwriter Tomer Shushan and producer Yoav Gross winning the first prize. In cooperation with SCRIPTED ISRAEL, the participants of the Lab got to hear fascinating creators and meet accomplished professionals from the American industry. Thanks to our supporters and partners who have helped us along this journey: New Mandate Films, Scripted Israel, Jerusalem Municipality, Gideon Tadmor and the Sam Spiegel Estate. From here the projects go out into the world - good luck to everyone! The 3rd Edition of the Series Lab Concludes - and the Winner is... NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ