4 acclaimed script editors mentor the JSFL participants: Clare Downs, Jacques Akchoti, Thomas Hailer and Sari Azoulay Turgeman. Founding member of the script analysis team of the Creative Europe Producer Training Programme, EAVE, Clare has been with the JSFL since its inception in 2011 and in that context she mentored JSFL films such as The Kindergarten Teacher (Critics Week, Cannes 2014); The Accused (Venice, Toronto 2018); Murina (Camera d’Or, Directors’ Fortnight 2021); Cinema Sabaya (Israel’s Oscar submission 2022). She was Director of the Association of Independent Producers (1978-1980); Director of International Creative Affairs for The Ladd Company (1981-83); Producer of award-winning films - The Dress (1985) BAFTA best short; the feature High Season (1987) San Sebastian, Best Screenplay. A much sought-after consultant to various film funds and many international script workshops. Clare Downs UK Screenwriter and script consultant, Jacques has been an integral part of the Sam Spiegel International Film Lab since its inception in 2011. A graduate of NYU, he has worked with directors such as Bresson and Von Trier. He was involved with the development of award-winning films, many of which premiered at Cannes: A Screaming Man (Jury Prize, 2010 Cannes); Girls of the Sun (Cannes 2018); Raw (Cannes Critics Week 2016). A teacher of writing and directing at La Femis since 1988, Jacques has facilitated many international screenwriting and development workshops. Jacques Akchoti France Thomas Hailer is the Artistic Director of the Nordic Film Days, Lübeck. From 2008 to 2019 he was responsible for the program of the International Competition as Berlinale curator alongside the festival director. He has been working as a dramaturg and script consultant since 1995. As a freelance dramaturg, he supervised, among others, the film adaptation of A.S. Neill‘s classic children‘s book The Green Cloud as well as Bernd Sahling‘s German Film Award-winning feature film The Duds. His current projects include script consulting for Barbara Kronenberg‘s directorial debut Mission Ulja Funk which premiered at the Berlinale 2021. Thomas Hailer Germany Film director, screenwriter, script consultant, Sari born in Cannes, France. In 2008, she founded her own company for script consulting services (Scriptlight.com) and developed her own screenwriting method, which she teaches in professional workshops and master classes. Sari works as an artistic consultant for the Israeli Film Funds and as a mentor in workshops worldwide. She developed and script edited series such as Fauda (seasons 2, 3 and 4), Pillars of Smoke and others. She script edited the films The Cousin and The Testimony, which both took part in the Venice film festival and more. Sari Azoulay Turgeman Israel MENTORS 2024 PITCH TRAINER In 2012, after more than 20 years in distribution, Dominique Welinski founded DW, a production and consulting company. Since then, she curates and produces the Factory program at Director’s Fortnight in Cannes. She has produced or co-produced among others: Sanjeewa Pushpakumara Burning Birds; Alireza Khatami’s Oblivion Verses; Midi Z Road to Mandalay; John Tengrove The Wound; Suba Sivakumaran House of My Fathers and Yona Rozenkier The Dive and The Road to Eilat. DW is currently developing films in Sri Lanka, Israel, India and Greece. The pitch training is in courtesy of the Shuster Polakoff foundation. Dominique Welinski France PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 12TH EDITION CATALOGUE GREETINGS 12TH EDITION PARTICIPANTS AND PROJECTS JURY MENTORS LAB FILMS LIVE GUEST Craig Emanuel is practicing as an attorney for more than 40 years. Most recently Craig was a partner in Paul Hastings’s Century City office and was previously the chair of the Firm’s Global Entertainment and Media Group. Starting in November 2023, Craig is currently working full time with his client of nearly 30 years, Ryan Murphy ("Nip/Tuck", "Eat, Pray, Love"). Regularly named among the most influential in Hollywood, Craig has been recognized in The Hollywood Reporter’s “Power Lawyers Top 100” list and Variety’s “Dealmakers Impact Report” and “Variety500” list, among other leading publications. He is ranked in Chambers USA in Media & Entertainment, where clients appreciate his “‘great sense of the business and what's happening in the industry’” . Craig Emanuel

פרסים כחלק מתוכנית החממה, פרויקט אחד יזכה במענק כספי - פרס פיתוח הסדרה. הפרס יאפשר ליוצרים.ות להתקדם בפיתוח הסדרה. הפרויקט הזוכה בפרס יוכרז באירוע הסיום של החממה, במהלכו הפרויקטים ייחשפו בפני תעשיית הטלוויזיה הישראלית והבינלאומית. דמי השתתפות ההשתתפות בחממת הסדרות של סם שפיגל אינה כרוכה בדמי השתתפות. לוח הזמנים של חממת הסדרות חממת סם שפיגל לסדרות מורכבת מ-3 סשנים, משך תוכנית החממה כ-4-6 חודשים. שני הסשנים הראשונים של החממה יתמקדו בפיתוח התוכן של ההצעה לסדרה, ובמהלכם יתקדמו היוצרים.ות משלב ההצעה הראשונית ועד ל-pitch deck. שני הסשנים הראשונים מורכבים מלו״ז שבועי מלא ונמשכים כ-5 ימים, כל אחד. הסשן הראשון מתקיים פיזית בירושלים, והסשן השני מתקיים אונליין, ויכלול יום או יומיים בירושלים. שני הסשנים הראשונים כוללים מפגשי אחד על אחד עם מנטורים.ות אישיים.ות ישראלים, מפגשי פיתוח, מפגשים עם אורחים.ות בינלאומיים.ות וזמן כתיבה אישי בסביבה מותאמת ותומכת. במהלך תקופת החממה, היוצרים.ות והמפיקים.ות יצאו לתהליך עבודה על הפיץ׳ הגרפי (pitch deck), בליווי צוות מקצועי והדרכה מטעם ענני תקשורת. בסשן הסיום, שיתקיים בחו״ל, היוצרים.ות יקבלו את ההזדמנות להציג ולחשוף את הפרויקטים שלהם.ן בפני אנשי מפתח בתעשיית הטלוויזיה הישראלית והבינלאומית. תכנית מפורטת ולו"ז שני הסשנים הראשונים יפורסמו על ידי החממה ובית הספר ונתונים לשינויים על פי החלטתו. לו״ז מחזור 4 של חממת הסדרות: סשן ראשון - 4-8 במאי, 2025 סשן שני - 6-10, 18-19 ביולי, 2025 סשן שלישי - יפורסם בהמשך (תאריכים מדוייקים ינתנו למתקבלים) ENGLISH עברית PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS LAB SERIES SCHEDULE The Sam Spiegel Series Lab includes 3 sessions that take place over the course of approximately 4-6 months. The first two sessions of the Lab are working sessions, focusing mainly on the development of the series' content. The first session is a physical 5-day writing session that takes place in Jerusalem, and the second session takes place for a 5-day writing session online. The first two sessions include professional meetings and events, one-on-one meetings with personal Israeli mentors, group development meetings, and inspirational masterclasses, as well as personal writing time in a supportive environment. Throughout the first two sessions, writers and producers will also develop their proposal into a pitch deck (a graphic pitch), with the professional guidance of Ananey Studios. In the final session, taking place abroad, creators will have the opportunity to pitch their projects and present them in front of key figures in the Israeli and international television industry. Notice of the precise timing of the sessions will be provided upon the call for submissions. 4TH EDITION TIMELINE: Session 1 - May 4-8, 2025 Session 2 - July 6-10 & 18-19, 2025 Session 3 - TBD (dates will be disclosed with accepted participants) PRIZES As part of the program, one exceptional project will win the Series Development Award. The award will provide a stipend to allow creatives to concentrate on developing their project. The award recipient will be announced at the closing session, where projects will be revealed to industry players. PARTICIPATION FEES There is no participation fee for the Sam Spiegel Series Lab. HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

Each year, a jury consisting of worldwide film professionals chooses the awarded projects that will win production and development grants. CEO of the Austrian Film Institute since May 2004. After initially studying history, political science and ethnology at the University of Innsbruck, he obtained a law degree at the University of Vienna. At the end of 1999, Roland Teichmann started to work at the Austrian Federal Economic Chamber as a lawyer in the Industry Department. In 2001, he went on to become general manager of the Association of the Audiovisual and Film Industry, a body representing the interests of the Austrian film and music industry at the Federal Economic Chamber. Later on he was appointed CEO of the Austrian Film Institute. So far, Roland Teichmann has had the following functions (selection): Managing director of the Association of Film Distributors at the Austrian Federal Economic Chamber, member of the board of the Austrian Film Commission, representative for Austria and board member of EFAD (European Film Agency Directors), chairman of the advisory board of the Television Film Fund managed by the Austrian communication regulatory authority RTR and member of the European Film Academy (EFA). Roland Teichmann HEAD OF JURY As co-president and chief operating officer, Steinman oversees the creative and business teams at 30WEST, a diversified entertainment company that includes a studio that finances film and television as well as an investment arm with corporate holdings in the culture and media space. 30WEST film and television projects include I, TONYA, TIGER KING and THE CONTRACTOR as well as the upcoming POWER BALLAD and BIG, BOLD, BEAUTIFUL JOURNEY. Prior to founding 30WEST, Steinman served as Co-President and Chief Operating Officer of Black Bear Pictures. Simultaneously, he was Chief Executive Officer of its Canadian distribution subsidiary, Elevation Pictures, where he built that company’s production services division. Before Black Bear and Elevation, Steinman served as a senior financing and sales agent in CAA’s Film Finance Group for close to a decade. Earlier in his career, Steinman worked as a corporate attorney at the Wall Street firm Simpson Thacher & Bartlett and then became a partner in a New York-based entertainment firm, where he developed his expertise in media law and film finance while representing producers, filmmakers and media companies. Steinman is a graduate of Harvard University, from which he holds both a JD and a BA in English and American Literature. He lives in New York with his wife and three children. Daniel Steinman Since her beginning in advertising and then film production, Diana Elbaum has produced a vast number of films. Most of them where showcased and awarded in major festivals. Her films cover a large sample of genre and come from all horizons and cultures. Diana set up her first company, Entre Chien et Loup, in 1989. In 2017, Diana Elbaum opened her new company, Beluga Tree, in association with Caviar (War Pony, Sound of Metal, The Rider, Bad Sisters). She produced over 100 features and documentaries with talents such as Chantal Akerman, Mahamat Saleh Haroun, Paul Verhoeven, Adil El Arbi and Bilall Fallah Lisa Azuelos, Raoul Peck, Nabil Ben Yadir, Ari Folman, Yuval Adler, Eran Kolirin and Isold Uggadottir, Julie Bertucelli. In 2023, Diana coproduced un Certain Regard Jury prize, Kamal Lazraq's for LES MEUTES and the Jury Prize of the 80th Venice film Festival Agnieszka Holland's GREEN BORDER. In 2009, she received the European Film academy award for best producer Diana is deeply committed to training the next generation of producers internationally and join the expert and group leader team of EAVE in 2007. Since 2020, Diana is also a group leader for Indaba from the Realness Institute as well as EAVE's Access and Elan programs (Canada). Diana is also Member of the UPFF+ (Producer's union in Belgium) and member of the Oscar Academy, Cesar Academy and Paul Delvaux Academy. Diana Elbaum JURY 2024 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 12TH EDITION CATALOGUE GREETINGS 12TH EDITION PARTICIPANTS AND PROJECTS JURY MENTORS LAB FILMS LIVE

Last updated: December 11, 2023 This Privacy Policy describes Our policies and procedures on the collection, use and disclosure of Your information when You use the Service and tells You about Your privacy rights and how the law protects You. We use Your Personal data to provide and improve the Service. By using the Service, You agree to the collection and use of information in accordance with this Privacy Policy. This Privacy Policy has been created with the help of the Privacy Policy Generator . Interpretation and Definitions Interpretation The words of which the initial letter is capitalized have meanings defined under the following conditions. The following definitions shall have the same meaning regardless of whether they appear in singular or in plural. Definitions For the purposes of this Privacy Policy: Account means a unique account created for You to access our Service or parts of our Service. 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Meet the JSFL participants from previous editions and get to know the films that were released. Select Screenwriter Select Name of Project Big Crater Aleeza Chanowitz Screenwriter: Hebrew, English Language: Format : 9 Episodes x 30 Minutes Meny Aviram Producer: , Kastina Communications Logline: READ MORE Anxious about the future of the world, very pregnant Devorah (35) attends a wilderness survival course. But before she learns how to survive mother nature, she’ll first have to survive her own mother. Lab#: 3 Crossing the Line Rita Borodiyanski Screenwriter: Hebrew Language: Format : 8 Episodes x 35 Minutes Osnat Saraga Producer: , Paramount Israel (Ananey Studios) Logline: READ MORE How low must one go in order to climb up, when planning for the future is considered a luxury? Street-smart Liz finds family and future at the most unexpected place - checkpoints on the West Bank-Israeli border. Lab#: 3 Good Girls Go To Hell Bar Cohen, Tohar Sherman-Friedman Screenwriters: Hebrew Language: Format : 10 Episodes x 30 Minutes Shlomit Arviv Producer: , Dori Media Group Logline: READ MORE Tohar (17), the youngest daughter of the chief rabbi in a small West Bank settlement, decides to end her most significant relationship, and break up with God. Lab#: 3 I'm Afraid That's Our Time Marc Grey, Nitai Gat Screenwriters: Hebrew Language: Format : 10 Episodes x 45 Minutes Amir Ganor & Adi Bar Yossef Producer: , Endemol Shine Israel Logline: READ MORE Terrified by the implications of their psychologist’s suicide on their own well-being, four orphaned patients set out to prove that their therapist was in fact murdered. Lab#: 3 The Bride Adi Adwan Screenwriter: Arabic, Hebrew Language: Format : 8 Episodes x 48 Minutes Itai Tamir Producer: , Laila Films Logline: READ MORE In a Druze village where reincarnation shapes fate, investigator Jimmy Falah must solve his mentor's murder and find the mentor's missing 8-year-old granddaughter, uncovering past debts that could end the cycle of rebirth and revenge. Lab#: 3 The Lampshade Tomer Shushan Screenwriter: English, Hebrew, German Language: Format : 8 Episodes x 52 Minutes Yoav Gross Producer: , Yoav Gross Productions Logline: READ MORE Omer Atias, a private investigator, is sent to Berlin by a dying Holocaust survivor to retrieve a lampshade crafted from his skin, plunging into a perilous Nazi underworld to honor his final wish to be buried whole. Lab#: 3 The Mouth Aurit Zamir, Shiri Nevo Fridental Screenwriters: English, Spanish, Yiddish Language: Format : 8 Episodes x 50 Minutes Yoav Roeh Producer: , Gum Films Logline: READ MORE The story of two Jewish women, forced into sex work in early 20th century Buenos Aires by the Jewish criminal organization “Zwi Migdal”, inspired by the true story of the woman who brought it down. Lab#: 3 The Widow's Detective Boaz Frenkel Screenwriter: English, Yiddish, Germany Language: Format : 8 Episodes x 45 Minutes Eitan Mansuri Producer: , Spiro Films Logline: READ MORE An ultra-Orthodox PI from Brooklyn is hired by a young widow to find her missing brother-in-law to perform a "Halitza," a religious ceremony that frees her from the obligation to marry her late husband's brother, thus freeing her to remarry Lab#: 3 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

JSFL is aimed at filmmakers from all over the world that are developing their 1st or 2nd fiction feature film. HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ JSFL is aimed at writers/directors from all over the world who are developing a 1st or 2nd fiction feature film. Projects must be at an advanced stage of development, having a full script, that is a solid, workable draft. If the script writer is not the director, he/she must submit and participate with a director. TARGET PARTICIPANTS JSFL selects a mix of Israeli and international projects, 12 in total. The international projects are by invitation only, while the Israeli projects can apply through an open call. Eligible Lab applicants are writer/directors [1], who are within the process of working on their first or second full-length feature film, and have directed at least two short films or a television drama or documentary film, or an episode in a television series (two from any of the above), whose production has inspired international and/or local attention [2]. The filmmaker states that they possess a script for a full-length feature film, which they wrote or were a full partner in writing; that they possess full copyrights to the script, and possess the ability to develop it independently, or with the assistance of a script writing partner. In the case that a film is submitted by a script writer, who is not a director, the project must be attached to a director, and the director must take part in the Lab as well. Each project must have a producer committed to the project and he/she cannot be the filmmaker him/herself. English is the working language of the JSFL. Candidates must have sufficient fluency and comprehension in the language. _______________________________________ [1] A director who does not serve as the sole scriptwriter of the project is allowed to invite a scriptwriting partner to the Film Lab, upon advance approval by the Film Lab staff. All expenses of the participation of this script writer will be borne by the director or their representative. In the case that a film is submitted by a scriptwriter, who is not a director, the project must be attached to a director, and the director must take part in the Lab as well. All expenses of the participation of this director will be borne by the script writer or his representative. [2] A candidate who has directed only one short fiction which has attracted international attention is eligible to apply to the JSFL. The Lab is entitled to separately examine exceptional cases such as this and other. International projects- materials must be submitted in English. Israeli projects- materials may be submitted in Hebrew, for the submission process only. ELIGIBILITY Participation fee is 1,000 Euro per project. Throughout the entire duration of the Jerusalem based activities, the JSFL will host the JSFL participants from across the world and from Israel, and will provide local transportation, lodging and board (full breakfast; lunch and/or dinner). Participants must pay all air-travel costs for the sessions. This includes the expenses of the producer for the third session. JSFL will cover two nights of lodging for the producer in July. In many countries bursaries and scholarships are available for this kind of training. PARTICIPATION FEES The selection process includes 3 stages: 1. Submission of project dossier . Dossier includes: A logline & short synopsis 3-5 page synopsis Director's/writer's statement Link to director's/writer's previous work Biographies and filmographies of all partners and project status. Projects selected for 2nd stage: 2. Submission of full script . Candidates will have approx. 10 days from notification to submission of script, which means script must be ready in advance (at the International projects, in English). Projects selected for 3rd stage: 3. Interviews - Physical Interviews for Israeli projects, and Online Interviews via Skype/Zoom for International projects. Both writer/director & producer must be present in the interview. Selected filmmakers will be informed by the end of October 2023. For more information please check our FAQ or contact: lab@jsfs.co.il SELECTION PROCESS The selection process includes 3 stages: 1. Submission of project dossier . Dossier includes: A logline & short synopsis 3-5 page synopsis Director's/writer's statement Link to director's/writer's previous work Biographies and filmographies of all partners and project status. Projects selected for 2nd stage: 2. Submission of full script . Candidates will have approx. 10 days from notification to submission of script, which means script must be ready in advance (at the International projects, in English). Projects selected for 3rd stage: 3. Interviews - Physical Interviews for Israeli projects, and Online Interviews via Skype/Zoom for International projects. Both writer/director & producer must be present in the interview. Selected filmmakers will be informed by the end of October 2023. For more information please check our FAQ or contact: lab@jsfs.co.il SELECTION PROCESS The Sam Spiegel International Film Lab Grand Production Prize- 35,000-50,000 USD The Sam Spiegel International Film Lab- Emerging Filmmaker Production Award- 15,000-20,000 USD Generously donated by the Beracha Foundation *The Lab holds the rights to change the amount of the prizes. The prizes will be given to the main director/ writer of the film. PRIZES Each edition of the JSFL lasts 7- 8 months over 3 sessions that take place in Jerusalem and/or online. The first session is an online 4-6 days session, held usually in December. The second is a 4-6 day session, held in Jerusalem, usually in March or April and the final 3–5-day session takes place in July. The first two sessions focus on writing: each filmmaker progressing through dialog with the script editor they have been assigned. The producer must attend one online meeting during these sessions. Between these two sessions, and before the final one, an online meeting is scheduled to aid the progression of the writing. The third session revolves around the JSFL pitching event, which takes place during the Jerusalem Film Festival, and introduces the projects to an internationally renowned jury and an audience of influential decision makers including producers, sales agents and festival programmers. The film producers must be present and take part in the pitching. In preparation for the third and final session, the filmmakers are required to produce one scene from the script (not longer than 3 min), which will be screened at the pitching event and will serve to communicate the artistic vision of the director. The scene will also be uploaded to the Lab's website. Ahead of the pitching event filmmakers will receive a short pitching training (courtesy of the Shuster Polakoff Foundation). JSFL SCHEDULE PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

LOAD MORE 18.03_PHOTOCALL_RESIDENCES_ALEXANDRE_MAROUZE__6100251_HD.jpg 348276032_1012398803315497_8525382273717154949_n.jpg עותק של עותק של delouyarafi 15.09 (315).JPG 348346966_1012396256649085_3930009691120342676_n.jpg WhatsApp Image 2023-09-04 at 14.35.11 (2).jpeg עותק של עותק של delouyarafi 15.09 (245).JPG עותק של עותק של IMG_4446.jpg עותק של עותק של IMG_4561.jpg 18.03_PHOTOCALL_RESIDENCES_ALEXANDRE_MAROUZE__6100251_HD.jpg 348276032_1012398803315497_8525382273717154949_n.jpg עותק של עותק של delouyarafi 15.09 (315).JPG 348346966_1012396256649085_3930009691120342676_n.jpg WhatsApp Image 2023-09-04 at 14.35.11 (2).jpeg עותק של עותק של delouyarafi 15.09 (245).JPG עותק של עותק של IMG_4446.jpg עותק של עותק של IMG_4561.jpg Select Name of project Select Screenwriter Select Lab # Aleeza Chanowitz Screenwriter : Production company: Kastina Communications Meny Aviram Production: Anxious about the future of the world, very pregnant Devorah (35) attends a wilderness survival course. But before she learns how to survive mother nature, she’ll first have to survive her own mother. READ MORE PITCH DECK Big Crater Lab edition 3 Rita Borodiyanski Screenwriter : Production company: Paramount Israel (Ananey Studios) Osnat Saraga Production: How low must one go in order to climb up, when planning for the future is considered a luxury? Street-smart Liz finds family and future at the most unexpected place - checkpoints on the West Bank-Israeli border. READ MORE PITCH DECK Crossing the Line Lab edition 3 Bar Cohen, Tohar Sherman-Friedman Screenwriter : Production company: Dori Media Group Shlomit Arviv Production: Tohar (17), the youngest daughter of the chief rabbi in a small West Bank settlement, decides to end her most significant relationship, and break up with God. READ MORE PITCH DECK Good Girls Go To Hell Lab edition 3 Marc Grey, Nitai Gat Screenwriter : Production company: Endemol Shine Israel Amir Ganor & Adi Bar Yossef Production: Terrified by the implications of their psychologist’s suicide on their own well-being, four orphaned patients set out to prove that their therapist was in fact murdered. READ MORE PITCH DECK I'm Afraid That's Our Time Lab edition 3 Adi Adwan Screenwriter : Production company: Laila Films Itai Tamir Production: In a Druze village where reincarnation shapes fate, investigator Jimmy Falah must solve his mentor's murder and find the mentor's missing 8-year-old granddaughter, uncovering past debts that could end the cycle of rebirth and revenge. READ MORE PITCH DECK The Bride Lab edition 3 Tomer Shushan Screenwriter : Production company: Yoav Gross Productions Yoav Gross Production: Omer Atias, a private investigator, is sent to Berlin by a dying Holocaust survivor to retrieve a lampshade crafted from his skin, plunging into a perilous Nazi underworld to honor his final wish to be buried whole. READ MORE PITCH DECK The Lampshade Lab edition 3 Aurit Zamir, Shiri Nevo Fridental Screenwriter : Production company: Gum Films Yoav Roeh Production: The story of two Jewish women, forced into sex work in early 20th century Buenos Aires by the Jewish criminal organization “Zwi Migdal”, inspired by the true story of the woman who brought it down. READ MORE PITCH DECK The Mouth Lab edition 3 Boaz Frenkel Screenwriter : Production company: Spiro Films Eitan Mansuri Production: An ultra-Orthodox PI from Brooklyn is hired by a young widow to find her missing brother-in-law to perform a "Halitza," a religious ceremony that frees her from the obligation to marry her late husband's brother, thus freeing her to remarry READ MORE PITCH DECK The Widow's Detective Lab edition 3 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

JSFL's filmmakers have the opportunity to meet with decision makers and worldwide film professionals. LOAD MORE Producer Agnieszka Dziedzic Koi Studios aga.a.dziedzic@gmail.com Director of Acquisitions Alexis Hoffman BAC Films a.hofmann@bacfilms.fr Head of Acquisitions Alfred Deragne Indie Sales aderagne@indiesales.eu Executive Director Anne Laurent-Delage Austrian Films anne.laurent@austrianfilms.com Producer Antonin Svoboda Coop99 welcome@coop99.at International Sales Manager Austin Kennedy Magnolia Pictures akennedy@magpictures.com Artistic Director Ava Cahen Semaine de la Critique a.cahen@semainedelacritique.com Producer Barbara Albert Coop99 barb.albert@web.de Producer Barbara Pichler KGP Filmproduktion pichler@kgp.co.at Partner Berenice Vincent Totem Films berenice@totem-films.com Producer Caroline Daube Royal Pony Film daube@royalponyfilm.com Acquisitions Manager Claudia Solano Match Factory claudia.solano@matchfactory.de Producer Damir Ibrahimovic Deblokada Film Production Producer Dominique Welinski DW Films dwelinski@gmail.com Head of Press and Public Relations Dr. Olga Havenetidis Film Commission Bayern olga.havenetidis@fff-bayern.de Festivals and Markets Emelie Dauptain Austrian Film emilie.dauptain@austrianfilms.com Programmer Evgeny Gusyatinskiy IFFR e.gusyatinskiy@iffr.com Artistic Director, Tribeca Film Festival Frederic Boyer Tribeca Film Festival fboyer@tribecafilmfestival.org Managing Director Gertraude Müller Ernstberger GWFF gme@gwff.de Producer Hannah Janal Bootstrap Film hannahjanal@gmail.com Managing Director Helge Albers Hamburg Film albers@moin-filmfoerderung.de Commissioning Editor, ZDF Holger Stern ZDF Stern.H@zdf.de Producer Hugo Grumbar Embankment Films hg@embankmentfilms.com Director Isaac Zablocki Marlene Meyerson JCC Manhattan izablocki@mmjccm.org Director and Founder Jamie Bialkower Jump Street Films jamie@jumpstreetfilms.com.au Managing Partner Jana Edelbaum Ideal Partners idealpartnersj@mac.com Assistant Manager Jenny Cheng Asian Film Academy jenny.cheng@afa-academy.com CEO Joana Vicente Sundance Film Institute elda_monterroso@sundance.org Executive Director Josie Lin Asian Film Academy josie.lin@afa-academy.com Director Jovan Marjanovic Sarajevo Film Festival joja@sff.ba DECISION MAKERS 2023 HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Throughout the JSFL activities, the participants from across the world and Israel will develop their scripts. 1. Participants in the JSFL (the "Lab" or "JSFL", "Participant" respectively) are obligated to make themselves fully available for all activities of the Lab for a period of seven to eight months, as detailed in the schedule of activities appearing in Lab's website ("Time Schedule"), or within any reasonable changes made to the said schedule. In this document– the term Participant shall mean a filmmaker which is working on his first feature. The term Producer shall mean a person or an entity who engages with the Participant to produce the said feature. 2. Throughout the entire duration of the Jerusalem based activities, the JSFL will host the participants from across the world and from Israel, and will provide local transportation, lodging, and board (full breakfast; lunch and/or dinner). 3. Due to the current circumstances in Israel, there is a possibility that one of the sessions will take place in Europe instead of Jerusalem. In such a case, during the session, the JSFL will host the participants from across the world and from Israel, and will provide local transportation, lodging, and breakfast. 4. All the Participants must pay all air-travel costs- whether to Israel and/or to Europe. In many countries bursaries and scholarships are available for this kind of training. 5. If objective circumstances (such as security situation or a pandemic, etc.) prevent the Lab to be held physically then the Lab shall be organized and held through interactive measures (i.e. zoom meetings) and participants are obliged to attend all interactive meetings and programs. 6. The Producers of the films are required to attend and participate in the third session which takes place in July including pitch preparation, one-on-one meetings, and the pitching event and in one meeting at each of the first two sessions- via zoom. The Producers must pay all air costs and any other costs. JSFL will cover two nights of lodging for the Producers. 7. Participation fee in the amount of EUR 1,000 will be paid one week after receiving the acceptance letter. The fee will be paid in one installment via bank transfer in net sum free of all bank transfer fees and taxes if applicable. This fee is nonrefundable. 8. JSFL participants understand that the work process in the Lab demands full cooperation with the script editors and the JSFL administration, adherence to the Time Schedule and to these regulations, and a full obligation to strive towards the common process with diligence, depth, and a positive spirit. 9. Participants pledge to refrain from participation in other writing workshops/labs during the work process of the JSFL and the writing of the scripts, unless with the written approval of the Film Lab administration. 10. JSFL participants understand that all activities of the Lab will be carried out in the English language. JSFL participants and Producers are personally responsible for any and all translation expenses incurred in the projects/presentation's material/previous films. 11. Participants will make English-language publicity information available to the JSFL administration, including a curriculum vitae, still photos, and excerpts from previous films. The JSFL reserves the right to use this information in its publications in Israel and abroad. Participants agree to be interviewed on their work, within the framework of the Film Lab. 12. The participants will take part in a wide range of activities of the JSFL work, including but not limited to: masterclasses, feedback on their colleagues' scripts, networking with the Israeli and worldwide film industry, film students from Israel, a tour in Jerusalem and more. 13. Within the frame of the JSFL third session, the participants (directors/writers and Producers) will participate in a pitch training session. 14. For the final session and the pitching event, the filmmaker and Producer will shoot one (3 min.) scene from the film, which is to be screened at the pitching. All expenses incurred will be borne by the filmmaker and the Producer. The rights will be of the Participant, but the Lab will be entitled to use it in any media it chooses to, with no charge. Both the scene and the pitch will be uploaded to the Lab’s website. 15. At the closing ceremony of the Lab, the chairperson of the jury will announce the winning projects. From the day of announcement, the winner of the production prizes donated by The Beracha foundation, project's filmmaker and Producer will have a period of 24 months in which they can request the grant from the Lab. 75% of the grant will be transferred to the personal bank account of the Participant on the first day of filming. The remaining 25% will be transferred to the personal bank account of the Participant after the Participant sends a final cut of the film, including the Lab's credits, according to the provided guidelines. In case the project is Israeli- the director/writer will issue an invoice for the Lab. The Award sum includes VAT. It is hereby clarified that the grant is a personal grant to the Participant and shall not be paid to any third party and/or to any legal entity (i.e company, partnership, etc.) 16. Should the shooting of the film not begin in a period of up to 24 months from the initial announcement, or if the film does not have a specific date to start principal shooting approved by the JFSL director, the JSFL is entitled to cancel the grant and under such cancelation, the Participant will not be entitled to take any legal claim against the Lab or its directors. 17. Notwithstanding the above mentioned, the Lab's director may, in writing, authorize a deferment of up to 6 months in giving the grant. Requests for a deferment of the grant funds will be sent, by the Participant, in writing, no later than 20 months after the initial announcement. 18. Once a film reaches production, participants and Producers commit to grant credit to the JSFL within the body of the film, stating the film was developed at the Sam Spiegel International Film Lab, in the JSFL credit format. Moreover, the production will note the development of the script at the JSFL in all film publicity, including all remakes / spin-off products from the film, should they be created (books, plays, etc.), and in any existing or future media: In the body of the film- Credits annex attached. On the film's poster- JSFL logo Press release- mentioning the fact that the film was developed in the JSFL. Commercial ads- JSFL logo Invitation for premieres- JSFL logo Festival's book- the Lab's name and logo IMDB Lab's credit: Production Company (Development at) 19. The Producer and Participant will be obliged to provide a link to the final film, and to authorize educational screenings at the Sam Spiegel School and Labs, free of rights fee. 20. The administration of the JSFL is authorized at any stage to cease the activities of a participant who does not meet all the conditions, or who was unable for any reason to work within the framework of the Lab, to maintain its scheduled timetable, and/or to advance in the writing of the script and/or to perform in the spirit of the JSFL. 21. A participant and/or a Producer who ceases his participation in the JSFL upon his own decision will be held fully liable for the expenses which were incurred by the Lab as a result of his participation. 22. JSFL and JSFS shall not be liable to any loss and/or expense and/or damage which was occurred to the Participant and/or Producer as a result of his/their participation in the Lab or as a result of their qualification to the Lab. Participant and/or Producer hereby waive any claim if whatsoever merit of claim (including without derogating of the generality of the above negligence) they might have against the Lab and/or JSFS with respect to the Lab. 23. The Program is subject to force majeure such as security issues and pandemics. PARTICIPANTS OBLIGATIONS LABS OBLIGATIONS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

Each year, a jury consisting of worldwide film professionals chooses the awarded projects that will win production and development grants. CEO of the Austrian Film Institute since May 2004. After initially studying history, political science and ethnology at the University of Innsbruck, he obtained a law degree at the University of Vienna. At the end of 1999, Roland Teichmann started to work at the Austrian Federal Economic Chamber as a lawyer in the Industry Department. In 2001, he went on to become general manager of the Association of the Audiovisual and Film Industry, a body representing the interests of the Austrian film and music industry at the Federal Economic Chamber. Later on he was appointed CEO of the Austrian Film Institute. So far, Roland Teichmann has had the following functions (selection): Managing director of the Association of Film Distributors at the Austrian Federal Economic Chamber, member of the board of the Austrian Film Commission, representative for Austria and board member of EFAD (European Film Agency Directors), chairman of the advisory board of the Television Film Fund managed by the Austrian communication regulatory authority RTR and member of the European Film Academy (EFA). Roland Teichmann HEAD OF JURY As co-president and chief operating officer, Steinman oversees the creative and business teams at 30WEST, a diversified entertainment company that includes a studio that finances film and television as well as an investment arm with corporate holdings in the culture and media space. 30WEST film and television projects include I, TONYA, TIGER KING and THE CONTRACTOR as well as the upcoming POWER BALLAD and BIG, BOLD, BEAUTIFUL JOURNEY. Prior to founding 30WEST, Steinman served as Co-President and Chief Operating Officer of Black Bear Pictures. Simultaneously, he was Chief Executive Officer of its Canadian distribution subsidiary, Elevation Pictures, where he built that company’s production services division. Before Black Bear and Elevation, Steinman served as a senior financing and sales agent in CAA’s Film Finance Group for close to a decade. Earlier in his career, Steinman worked as a corporate attorney at the Wall Street firm Simpson Thacher & Bartlett and then became a partner in a New York-based entertainment firm, where he developed his expertise in media law and film finance while representing producers, filmmakers and media companies. Steinman is a graduate of Harvard University, from which he holds both a JD and a BA in English and American Literature. He lives in New York with his wife and three children. Daniel Steinman Since her beginning in advertising and then film production, Diana Elbaum has produced a vast number of films. Most of them where showcased and awarded in major festivals. Her films cover a large sample of genre and come from all horizons and cultures. Diana set up her first company, Entre Chien et Loup, in 1989. In 2017, Diana Elbaum opened her new company, Beluga Tree, in association with Caviar (War Pony, Sound of Metal, The Rider, Bad Sisters). She produced over 100 features and documentaries with talents such as Chantal Akerman, Mahamat Saleh Haroun, Paul Verhoeven, Adil El Arbi and Bilall Fallah Lisa Azuelos, Raoul Peck, Nabil Ben Yadir, Ari Folman, Yuval Adler, Eran Kolirin and Isold Uggadottir, Julie Bertucelli. In 2023, Diana coproduced un Certain Regard Jury prize, Kamal Lazraq's for LES MEUTES and the Jury Prize of the 80th Venice film Festival Agnieszka Holland's GREEN BORDER. In 2009, she received the European Film academy award for best producer Diana is deeply committed to training the next generation of producers internationally and join the expert and group leader team of EAVE in 2007. Since 2020, Diana is also a group leader for Indaba from the Realness Institute as well as EAVE's Access and Elan programs (Canada). Diana is also Member of the UPFF+ (Producer's union in Belgium) and member of the Oscar Academy, Cesar Academy and Paul Delvaux Academy. Diana Elbaum JURY 2024 HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

4 acclaimed script editors mentor the JSFL participants: Clare Downs, Jacques Akchoti, Thomas Hailer and Sari Azoulay Turgeman. Elad Sonego Elad Sonego, Senior Vice President at Paramount and Chief Creative Officer of Paramount’s Tel-Aviv based Ananey Studios. Also a lecturer and studio instructor at the Design Faculties of Shenkar College and the Holon Technological Institute. A Veteran of the Israeli Music Industry, and Veteran of the IDF, Gay, an Activist and a father of two twin boys. Elad specializes in bringing the best of Israeli storytelling to broadcasters and streamers from all around the world, including Paramount+, HBO Max, Netflix, Nickelodeon and others. His unique aesthetic approach and global networking skills has brought together many partnerships that made shows happen. Elad has been and still is working closely with Israel’s most successful and prominent writers. Among them: Noah Stollman, Dafna Levin, Ron Leshem, Amir Mann, Giora Chamizer, Omer Goldman, Shachar Magen and others. Also working on documentaries by Israel’s leading directors. Among them: Iris Zaki, Yossi Bloch, Paz Swartz, Ari Pines and more. Danna Stern Berlin-based, Israeli -born, seasoned content executive, Stern works across borders and genres, focusing on scripted and non-scripted productions. One of her recent projects “Bros” (Netflix) launched earlier this spring and she has recently completed production of the documentary “Supernova: The Music Festival Massacre” currently airing on multiple channels and platforms around the world. As the founder of Tel-Aviv based yes Studios, Stern created a distribution and development powerhouse delivering premium content for international platforms. Recognized twice as one of Variety Magazine’s “Top 500 Global Media Leaders” she was directly responsible for the global launches of multiple series including : Fauda, Shtisel, The Devil Next Door, The Beauty Queen of Jerusalem etc. In addition, Stern has spearheaded dozens of format adaptations in multiple territories including Your Honor one of the bestselling scripted formats in recent years, As We See It (Amazon, originally On the Spectrum ) , 68 Whiskey (Paramount +) The Good Cop (Netflix) Significant Other (ITV), Tanaav (Fauda India, SonyLiv), Escort Boys ( Amazon/ TF-1) etc. David Hadda David Hadda, born 1984 in Frankfurt/Main, Germany. Studied law in Heidelberg and Cologne. Legal clerkship in Berlin. Alongside his studies, began working as an writer for stand-up comedians and TV formats such as “Switch Reloaded” and “Schillerstrasse”. At the broadcaster Tele5 he was first responsible for Distribution & Business Affairs, later as Creative Director responsible for original productions. Since 2018 with his own production company Turbokultur in Berlin. Develops and produces TV formats such as “Heroes”, “Deadlines”, “Bosetti Late Night” and “Freitagnacht Jews”, for which he won the prestigious “Grimme Award” and the “German Television Award”. Creator and showrunner of his latest TV series "The Zweiflers", which recently won three awards at the Cannes International Series Festival for "High School Award", "Best Music" and "Best Series“. Joe Peracchio Producer and screenwriter Joe Peracchio has written for Deception and The Flash. He was a writer and actor for the Emmy nominated Fences on PBS for two seasons and has worked as a writer and producer on over 60 episodes of primetime network TV. He currently serves as Consulting Producer on several drama series in development with Netflix International. Joe is a professor of TV drama writing and screenwriting at USC. Omri Marcus Omri Marcus is an experienced content creator and creative director who specializes in harnessing the powers of groundbreaking technology. Tasked with leading Gitam-BBDO, the largest media conglomerate in Israel, into the era of artificial intelligence, Omri manages multifaceted projects that span creativity, technology, business, and strategy. Following the events of October 7th, Omri was also tasked with overseeing the company's Creative War Room, producing a wide array of videos and images aimed at conveying Israel's perspective to specific audiences. Marcus has extensive experience in all aspects of content creation, from developing a popular dating show in China, through creating innovative mobile apps in India to leading a successful political campaign in Israel. With over 20 years of experience generating award-winning content worldwide, Omri thrives on driving new ideas from concept to launch and seeing them through high growth to meet business objectives. During his time in a multi-year development contract with Red-Arrow Entertainment and in his work as creative director at companies such as Viacom and Screenz, Omri delivered content that pushed boundaries while still meeting audience engagement, retention, and market share KPIs. As a comedy writer, Omri has earned three Israeli TV Academy awards for his work as part of the writing staff of "Eretz Nehederet" (What a Wonderful Country), one of Israel's most successful comedy shows. Omri is the founder of Comedy for a Change - an international community of comedy writers dedicated to leveraging the power of comedy for driving social change. He also received a distinguished grant from Europe’s Format Academy for Entertainment, Television & New Media (EMC), an accolade reserved for those shaping the future of media. Omri also contributes to various publications, sharing his insights on technology, content, and contemporary issues. David Levine David Levine is the Chief Creative Officer of Anonymous Content, a full-service global studio and representation company. There he shepherds the development and production of all film and television content. Here he has built out Anonymous’ global creative footprint while overseeing Alfonso Cuaron’s Disclaimer and Taika Waititi’s Time Bandits, as well the adaptations of Nickel Boys, Neuromancer and East of Eden coming soon. Before that, he was the Co-Head of Drama, HBO Programming, for Home Box Office, responsible for overseeing the development and production of original drama series such as Sharp Objects, Westworld, True Detective, Game of Thrones, Our Boys, and True Blood. Before HBO, he was vice president of Development and Production at Mandalay Entertainment and served as a producer at Fuse Entertainment. PROFESSIONAL GUESTS 2024 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ