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- The Handball Coach
The Handball Coach The Handball Coach Sivan Noam Shimon Producer Benny Fredman Lab Edition 12 , 2024 SCENE PITCH Production Red Films LTD Country Israel SYNOPSIS The moment when Yael "the Bulldozer" Cherni (32) scored the winning goal in the European Handball Championship defined the peak of her career. But it also crushed her knee and left her with excruciating pain and the nickname. The doctors say her career is over, her partner Nofar (30) pleads her to move on, but Yael feels belittled. The only one who believes in her is Sari (17), a troubled goalkeeper in the youth team Yael coaches. Around her, Yael feels strong, worthy, and admired once again. The relationship between the two takes an unexpected dimension. DIRECTOR'S NOTE I was an athlete and the feeling of "I'm a badass" became a key part of my being. Thus, I set out to write a story of a woman who doesn't know who she is without her strength and will do anything to stay on the court. I chose handball, not such a popular sport, and the peripheral town Or-Yehuda, to express the perception that women’s sports are marginal. Hence, many female athletes don't get the appreciation or financial support like their male counterparts. For people who come from marginalized populations, sports can be life changing, if not as a career, then in a "I'm a badass" state of mind. ABOUT THE FILMMAKER Sivan Noam Shimon is a writer, director and actress, graduate from Steve Tisch School of Film and Television at Tel-Aviv University. Her short film Wake Up Call won several film festivals around the world. She won the Best Actress award at Haifa international Film Festival for her leading role in the film Blush. She acted in the American film Ma Belle, My Beauty, which won the Audience award at Sundance Film Festival. Shimon was a programmer at TLVFest and teaches screenwriting at Minshar Art College. Currently, Shimon is developing her first feature film. PRODUCER Benny Fredman Benny Fredman studied film at Camera Obscura. His works include Netflix's "Suicide", the TV series "Suspect", Ophir Award-winning film "Home" and the documentary films "Poogy-Tales" and "Moving the Embassy". PRODUCTION COMPANY PROFILE ○ Red Films LTD, Jerusalem ○ +972-543474448 ○ benif123@gmail.com PRODUCTION BUDGET ○ Total budget: 1,100,000 USD ○ Confirmed budget and source: 175,000 USD by Amir Gedalya productions LTD LANGUAGE Hebrew GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ
- Red Cow
Red Cow Red Cow Tsivia Barkai Producer Ronen Ben-Tal Lab Edition 1 , 2012 SCENE PITCH Production Country Israel SYNOPSIS Red Cow is a coming-of-age film that takes place in the days leading up to the assassination of Rabin and depicts the life of Benny, 16, orphaned from mother at birth and the only child of Joshua - a religious, right-wing extremist, in those critical junctures when she is forming her sexual, religious and political awareness. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Ronen Ben-Tal PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ
- I Dream in Another Language
I Dream in Another Language I Dream in Another Language Ernesto Contreras Producer Raymond van der Kaaij Lab Edition 1 , 2012 SCENE PITCH Production Country Mexico SYNOPSIS When a language dies, a unique vision of the world is lost forever. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Raymond van der Kaaij PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ
- Curtain Call
Curtain Call Curtain Call Elinor Nechemya, Sivan Gal Boico Producers Aurit Zamir, Yoav Roeh Lab Edition 12 , 2024 SCENE PITCH Production Gum Films LTD Country Israel SYNOPSIS Dekel, a fringe director in her mid-thirties, gets a once-in-a- lifetime opportunity- to direct a new cabaret at a renowned repertory theater. Everything runs smoothly until her estranged father is released from jail earlier than expected, and messages her that he is coming to the premiere. Horrified by his unwelcomed reappearance in her life, Dekel confronts him, hoping to finally put this painful chapter of her life behind. But instead, a shameful, unspoken longing for her abusive father resurfaces, forcing her to confront the true nature of her trauma, and the ways in which it shaped her. DIRECTOR'S NOTE The film’s cinematic language is violent and direct, whilst the images created offer a pathway to raw emotions and a deep-seeded sense of longing. The theatrical world serves as an alternative fantasy, a crack through which memories leak into reality. The shifts between the rehearsals’ protected, intimate space,and the grandiose cabaret scenes create tension, disrupting the film’s tone and tempo, mirroring Dekel’s soul. Dekel’s freefall story is also the story of a space changing from a space of enablement, to a space of drowning. And just like the space itself, Dekel’s point of view changes before our eyes, shifting on the elusive continuum between a woman and a child. A continuum which, once accepted, carries the possibility of salvation. ABOUT THE FILMMAKERS ○ Elinor Nechemya | Director Elinor Nechemya is a Tel-Aviv based director and screenwriter. Her latest short film If It Ain’t Broke (2021) premiered at the Cannes Film Festival Semaine de la Critique. Her previous short films "Our Hearts Beat Like War" (2020) and "Everlasting Mom" (2017) both premiered at the Toronto International Film Festival, and screened in various festivals including Locarno, Sarajevo, and Palm Springs. Alongside "Curtain Call" , Elinor is also working on her feature "Island", which participated in the 2021 Sam Spiegel Film Lab and in the NEXT STEP program of the Semaine de la Critique. ○ Sivan Gal Boico | Screenwriter A graduate of the Sam Spiegel Film and Television School, Sivan is an active screenwriter, playwright and theater director. Her screenwriting work includes the acclaimed youth series "The Policeman’s Daughter" for TeenNick/YES, and the hit youth series "Full Speed" for TeenNick/HOT. Her short film "Orange" won the Gesher Multicultural Film Fund Development Award, and is due to be produced in 2025. Between 1998-2009 Sivan wrote and directed for theater in Australia. Her works were staged in various theaters and galleries, winning her the Melbourne International Arts Festival Young Playwright Award, as well as a Green Room Award nomination for her play The Cool Room, staged in Melbourne and Sydney. PRODUCERS Aurit Zamir, Yoav Roeh Gum Films is a Tel-Aviv-based production company. Founders and owners, Yoav Roeh and Aurit Zamir graduated from the prestigious Sam Spiegel Film and Television School, and have been in the art and business of making movies for two decades, with a passion for meaningful, genre-bending films. Films include "Delegation" which premiered at Berlinale 2023 and The Future which premiered at Tribeca 2023, as well as the award-winning film "Aisa", starring Shira Haas, which won the Nora Ephron Award at the Tribeca Film Festival 2020 and nine Israeli Academy Awards, including Best Film. Series include "The Missing File" (2 seasons for Kan11, sold for US remake) and "For God’s Sake" (Kan 11). Aurit created and wrote "The Truth" (for Kan11). The series sold to Canal+, AMC, Be TV and more. PRODUCTION COMPANY PROFILE ○ Gum Films, Tel Aviv ○ office@gumfilms.com ○ +972 52 6010403 PRODUCTION BUDGET ○Total budget: 1,450,000 USD ○ Confirmed budget and source: 15,000 USD development grant, Israel Film Fund. Participated in the WomanFilms Narrative Film Hub initiated by the New Fund for Cinema & TV LANGUAGE Hebrew GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ
- The story of a summer Love
The story of a summer Love The story of a summer Love Paul Negoescu Producer Radu Stancu Lab Edition 4 , 2015 SCENE PITCH Production Country Romania SYNOPSIS Petru is a professor of mathematics at the Polytechnic University of Bucharest and leads a carefree life. He's in an open relationship with Irina, who overlooks that he sleeps with other women from time to time. But once Irina gets pregnant, Petru is forced to change his lifestyle and grow up, even he's 42. One of his friends, who was always there for him, decides to write a book about his story. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Radu Stancu PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ
- Manas (Sisters)
Manas (Sisters) Manas (Sisters) Marianna Brennand Fortes Producer Carolina Benevides Lab Edition 9 , 2021 SCENE PITCH Production Country Brazil SYNOPSIS Aware that the future does not hold many options for her in a riverside community on Marajó Island, 13-year-old Marcielle decides to confront the violent machinery that governs her family and the women in her community. DIRECTOR'S NOTE Director’s Note What fascinates me in cinema is the potential to encounter the “other” and how it enables us to see, feel and live in someone else’s shoes. This is why I will have an absolute protagonist, Marcielle – we will be radically on her point of view, seeing only what she sees and hearing only what she hears. As a filmmaker, I want to increase public awareness for such a painful subject matter as sexual abuse of women, especially children and adolescents. In terms of plot, I chose a , a classic narrative with tremendous visual power. Although the abuse scenes are never shown on screen, my intention is to show in a poetic way how the violence impacts on the character perception. Marcielle experiences many conflicts and the film will be with her in her moment of conscious awareness. In the photography I want to show the contrast of the beauty and richness of the region's natural landscape with Marcielle's poor and sad reality. The lush forest with abundant water can be as arid as a desert. A very cinematic environment that hides the unspoken "rules" of its inhabitants. For that “Sisters” will be shot on location, in a riverside community in Amazon Region where this story takes place. Actors’ direction will benefit from that because I’ll be working with actors that will be able to dive into the universe of the film and non-actors that will be comfortable in their habitat. Female characters who interact with Marcielle, will help her to see that is not normal what she is been through and that is possible to put an end to the cycle of abuse. The film will be generous to its characters and their stories, in terms of the length of scenes that reflect the way in which time, and distance, in that part of the world, imprisons its inhabitants. ABOUT THE FILMMAKER PRODUCER Carolina Benevides Producer, co-writer Carolina Benevides, Brazil Carolina Benevides is the executive producer at Inquietude where she develops documentaries, features and series. Among them I Am Carlos Imperial (2015), and Darn Good (2016), (Best Film, Cine PE). Benevides was production coordinator on The Eye of the Storm (Cannes, 2009), and Passerby (Best 1st film Guadalajara, 2010). In 2020 she released the documentary series Festival’s Nights for cable TV. PRODUCTION COMPANY PROFILE Production Company Inquietude, Recife, Brazil carolina@inquietude.art.br +55 21 991940062 PRODUCTION BUDGET Production Budget $1.230.541 Secured funds: $545.454,55 FSA/ Brazilian Cinema Agency Prize; $365.470,21Globo Filmes / Co-producer through Audiovisual Law; $85.818,18 Private investors through Audiovisual Law; $51.980,15 Direct funds from the producer; $181.818,18 GAP LANGUAGE Portuguese GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ
- Reform
Reform Reform Uriya Hertz Producer Yochanan Kredo Lab Edition 8 , 2019 SCENE PITCH Production Country Israel SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Yochanan Kredo PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ
- Driver
Driver Driver Yehonatan Indursky Producer Osnat Handelsman-Keren & Talia Kleinhendler Lab Edition 2 , 2013 SCENE PITCH Production Country Israel SYNOPSIS A 'Driver' in the oltra orthodox community takes his daughter on his nightly journey, exposing her to the more questionable members of this pious society in the dark alleys of Bnei Barak they each find, even if for a short moment, their lost childhoods. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Osnat Handelsman-Keren & Talia Kleinhendler PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ
- Aranchi and Reem
Aranchi and Reem Aranchi and Reem Timna Rose Perets Producers David Silber, Sivan Cohen, Talia Bernstein Lab Edition 11 , 2023 SCENE PITCH Production Metro Communications Country Israel SYNOPSIS When Aranchi (13), a charismatic and wild Eritrean refugee with a passion for dance gets kicked out of the school dance show, she feels her life is over. But then she meets Reem (13), an isolated Sudanese girl undergoing a horrible family tragedy, and realizes just how evil life can get. Together, Aranchi and Reem find their way into the crime scene of South Tel-Aviv. In search for freedom and expression, they discover the power of friendship DIRECTOR'S NOTE 10 years ago, I was managing an afterschool program for refugee kids in my neighborhood. Aranchi, Reem and Dillet are some of the kids I witnessed growing up -from toddlers to teenagers, they became a huge part of my life. The film is a window to a world usually unseen, through their eyes, taking place in the neighborhood which taught me to find beauty in unexpected places, and to discover hidden worlds. ABOUT THE FILMMAKER Born in Jerusalem in 1987. Timna Rose Perets is a filmmaker and social activist. Graduated from Minshar School of Art in Tel Aviv. Her short independent film, Daughter of the Bride was screened at Director’s Fortnight, Cannes Film Festival 2016. She now lives between Tel Aviv and the Jerusalem hills, working on a short film and her first feature. PRODUCERS David Silber, Sivan Cohen, Talia Bernstein Metro Communications is an Israeli film production company based in Tel Aviv, specializing in international co-productions of full length feature films. David Silber, Metro's director, together with his partners Moshe and Leon Edery (United King Films) have created an energetic, broad based production organization, and one of the leading production companies in Israel. Metro‘s main titles include Academy award nominee and Silver Bear winner Beaufort (2007), Golden Lion and European Academy Awards winner Lebanon (2009), Tribeca Film Festival winner and Berlin Film Festival Panorama featured Junction 48 (2016), Israeli Academy Awards winner Bana Joon (2015), alongside box office hits such as Avi Nesher‘s The Other Story, the top selling Israeli film of 2018, and This Is Sodom (2010) and Turn Left at the End of the World (2004), two of Israel‘s top grossing films ever. PRODUCTION COMPANY PROFILE Company name, city: Metro Communications LTD. Tel-Aviv, Israel. contact email: Sivan@metrocom.co.il ? contact telephone number: +972-54-320-0035 PRODUCTION BUDGET Production budget in USD: $675,000 LANGUAGE Hebrew, Tigrinya, Arabic GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ
- Tomorrow is a long time
Tomorrow is a long time Tomorrow is a long time Jow Zhi Wei Producer Fran Borgia Lab Edition 5 , 2016 SCENE PITCH Production Country Singapore SYNOPSIS A middle-aged widower whose relationship with his sensitive teenage son in the densely packed spaces of contemporary Singapore slowly becomes unbearable. DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Fran Borgia PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ
- Protected species
Protected species Protected species Hristo Simeonov Producer Katya Trichkova Lab Edition 7 , 2018 SCENE PITCH Production Country Bulgaria SYNOPSIS DIRECTOR'S NOTE ABOUT THE FILMMAKER PRODUCER Katya Trichkova PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ
- Deep Love
Deep Love Deep Love Emily Reekers, Sophie Dros Producer Paula van der Oest Lab Edition 12 , 2024 SCENE PITCH Production Sunny Pictures Country Netherlands SYNOPSIS When Sam's wife becomes pregnant he goes in search of the daughter he and his former girlfriend gave up for adoption as teenagers. He finds his first born and they immediately feel deeply connected. There’s a spark, they fall hopelessly in love with each other. DIRECTOR'S NOTE ABOUT THE FILMMAKERS PRODUCER Paula van der Oest PRODUCTION COMPANY PROFILE PRODUCTION BUDGET LANGUAGE GENRE Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ