Girls Will Be Girls Shuchi Talati Producers Sanjay Gulati, Richa Chadda Lab Edition 9 , 2021 SCENE PITCH Production ​ Country India SYNOPSIS Follows the journey of 16 year old Mira, whose sexy, rebellious coming of age is disrupted by her young mother who never got to come of age herself. DIRECTOR'S NOTE Director’s Note GIRLS WILL BE GIRLS is set in a conservative Hindu school much like my school where we started each day with a pledge to “preserve our ageless Indian culture and conform to the way of life prescribed by it.” As I sprouted breasts, I understood that ‘Indian culture’ was the reason my skirt had to be long and my behavior demure. We were being taught to be ashamed of our bodies and sexuality while male sexuality was allowed to express itself, often in aggression towards us. Meanwhile, real female bodies and female desire were also erased from our screens. Breasts and butts were hypersexualized as women gyrated for the male gaze. But vaginas, menstruation, pubic hair, etc. were absent or treated with embarrassment and revulsion. The effect of this erasure is to cast our bodies as something shameful. It teaches us to be compliant and afraid of our body, sexuality and voice. Despite this, all around me I saw fierce, funny women who subverted social and moral codes. In GIRLS I wanted to write about these women who populated my life but not my screens. In GIRLS, Mira and her mother Anila are sexual, embodied beings with secretions and desires. Mira examines her vagina in a mirror, masturbates by rubbing up against a teddy bear and orchestrates her first sexual encounter. Anila shuns the self-sacrificing, asexual roles mothers are relegated to. She envies her daughter’s figure and boyfriend and pursues her desires with fervor. But even though GIRLS is a close observation of gender roles, sexuality, and patriarchy, it makes no thesis statement. The women in this film are not essentialized by their identities as Indian women, nor are they stand-ins for entire communities whose stories enlighten us about a social issue. I want Mira and Anila to represent only their singular selves as they experience love, disillusionment and envy. Because this is how their stories will also be universal—a luxury mostly reserved for characters from dominant cultures. ABOUT THE FILMMAKER ​ PRODUCERS Sanjay Gulati, Richa Chadda Producer profile Producer, India Sanjay Gulati founded Crawling Angel Films in 2014 and has produced internationally recognized films such as Lajwanti (Berlinale 2014), Ashwathama (Busan 2017), Once Again (Netflix 2018), Pearl of the Desert (IDFA 2019), Nimtoh (Rotterdam 2020), The Shepherdess and Seven Songs (Berlinale 2020, New Directors / New Films). Producer, India Richa Chadha is an actor, writer, and producer known for her work in films like Anurag Kashyap's Gangs of Wasseypur (Cannes 2013) for which she won a Filmfare Critics Award for Best Actress. Chadha starred in Cannes selection in Masaan (2015), and worked with director Mira Nair in the anthology Words with Gods (Venice 2014). In 2020, Chadha started Pushing Buttons Films with Ali Fazal. Producer, France Claire Chassagne Dolce Vita Films was founded by Marc Irmer. Company credits include Hotel Harabati, (Berlinale) Unwanted Witness (Toronto, Sundance), Las Niñas Quispe (Venice), and Karlovy Vary grand prize winner Le Grand Cahier. Dolce Vita’s Indian film Sunrise by Partho Sen Gupta, screened in Busan, Sitges, and Tribeca. Their recent A Son by Mehdi Barsaoui premiered at Venice Orizzonti. ​PRODUCTION COMPANY PROFILE Production Company Crawling Angel Films, Delhi, India Pushing Buttons Studio, Mumbai, India Dolce Vita Films, Paris, France shuchifilm@gmail.com +1 626 484 9362 ​PRODUCTION BUDGET Production Budget $550,000 Secured funds $ 102,300 Pushing Buttons, Crawling Angel Films, New York State Council for the Arts LANGUAGE English, Hindi GENRE Coming of age Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Pause Omer Sterenberg Producers Ayelet Kait, Amir Harel Lab Edition 12 , 2024 SCENE PITCH Production Lama Films Country Israel SYNOPSIS Itay and Alon, born and raised in the Golan Heights, have been best friends for as long as they can remember. Alon is already a year into his military service, and Itay is about to enlist and join the same unit. They go on a road trip to Eilat, to celebrate Itay's upcoming draft. Their plans take an unpredictable turn when they pick up Osher, a transgender in her late 20s who’s running away from her abusive husband. Itay falls for Osher and decides to help her despite Alon's suspicions and growing jealousy. The three find shelter in an isolated desert commune, and it seems like life can finally pause. But violence and war soon find a way in, confronting them with secrets and feelings they’ve been hiding from each other, forcing Itay to confront his identity and fears. DIRECTOR'S NOTE As war and violence rage, the expectation for sacrifice increases. As if a violent death is a pre-written destiny, young men throw themselves into the fire with a burning faith that this is the only way they can protect their loved ones. When does one stop being a child and become a soldier? Are life and death, love and war, really opposite, or two sides of the same coin? And in the midst of history unfolding with massive force, what is the meaning of innocence and compassion? ABOUT THE FILMMAKER Born in Haifa, Israel in 1992, Omer graduated from the Sam Spiegel Film and Television School with the highest honors. His short film Listening In (HaMa'azin) premiered in Berlinale and participated in dozens of international film festivals. PRODUCERS Ayelet Kait, Amir Harel Lama Films concentrates on projects with a political-social-cultural orientation. Whether fiction or documentaries, Lama Films' projects address phenomena that reflect the essence of Israeli existence, yet still appeal to diverse audiences around the world. Among Lama Films projects are: Golden Globe winner for Best International Film and Oscar nominee Paradise Now; Venice Film Festival official selection Valeria is Getting Married and Tel-Aviv on Fire; US box office hit and Berlinale films Walk on Water and Yossi & Jagger; Cannes Film Festival, Camera d’Or Winner Jellyfish and James' Journey to Jerusalem. ​PRODUCTION COMPANY PROFILE ○ Lama Films, Tel Aviv ○ +972-54-5679367 ○ ayelet@lamafilms.com ​PRODUCTION BUDGET ○ Total budget: 750,000 euro LANGUAGE Hebrew GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Wendy Dana Lerer, Tal Miller Producer Estee Yacov-Mecklberg Lab Edition 8 , 2019 SCENE PITCH Production ​ Country Israel SYNOPSIS ​ DIRECTOR'S NOTE ​ ABOUT THE FILMMAKERS ​ PRODUCER Estee Yacov-Mecklberg ​ ​PRODUCTION COMPANY PROFILE ​ ​PRODUCTION BUDGET ​ LANGUAGE ​ GENRE ​ Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

The Current Love of My Life Talya Lavie Producer Eitan Mansuri Lab Edition 3 , 2014 SCENE PITCH Production ​ Country Israel SYNOPSIS ​ DIRECTOR'S NOTE ​ ABOUT THE FILMMAKER ​ PRODUCER Eitan Mansuri ​ ​PRODUCTION COMPANY PROFILE ​ ​PRODUCTION BUDGET ​ LANGUAGE ​ GENRE ​ Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

A big welcome to our participants from near and far- from Italy, Greece, North Macedonia, Belgium, France, Sweden, Hungary and Israel. We begin our 11th edition with a full work-week in Jerusalem. New Year - New Edition! NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

The Bride Screenwriter: Adi Adwan Producer: Itai Tamir , Laila Films Language: Arabic, Hebrew Format: 8 Episodes x 48 Minutes Send PITCHDECK LOGLINE In a Druze village where reincarnation shapes fate, investigator Jimmy Falah must solve his mentor's murder and find the mentor's missing 8-year-old granddaughter, uncovering past debts that could end the cycle of rebirth and revenge. SYNOPSIS In a Druze village in northern Israel, investigator Jamal "Jimmy" Falah faces his toughest case when his mentor is murdered and the mentors' granddaughter, Nano, goes missing. Jimmy uncovers family secrets, a violent history, and the belief that Nano is the reincarnation of a murdered bride. As he pieces together the truth, Jimmy confronts the vengeful brother behind the crimes. In a tense showdown, Jimmy chooses forgiveness over revenge, saving Nano and breaking the cycle of reincarnation and vengeance. WRITER'S STATEMENT The series delves into the mysterious Druze community, blending mysticism, tension, and intrigue. As a Druze, I bring authenticity, revealing complexities only an insider can. While reincarnation is central, the series also explores the secretive nature of Druze life—its divisions, gossip, and generational conflicts. The eight episodes, inspired by my experiences, use voice-over monologues to explore each character's past, gradually uncovering their motivations and ties to the narrative, while offering viewers a rare glimpse into a world rarely portrayed on screen. ABOUT THE WRITER A Druze screenwriter, director, and producer known for his work in film and television. His feature film ARABANI is recognized as the first Druze-Israeli film Jerusalem Film Festival award-winner. His 2023 documentary THE THIRD MAN, commissioned by Makan 33 - Israeli Broadcasting Corporation, premiered at the Haifa International Film Festival. Adwan is currently developing a feature film supported by the Israel Film Fund. He also appeared as an actor in the fourth season of FAUDA. PRODUCER'S STATEMENT Adi Adwan, whom I’ve known for nearly 20 years, conceived the idea for the series. We began developing it during our travels up north, searching for locations and further honed it during the workshop. From the beginning, I was drawn to the mystical and religious concepts unfolding within a closed society. The uniqueness of using reincarnation to solve various cases is magical. It's a significant challenge, but Adi's advantage, coming from the Druze community and knowledgeable about its secrets, is immense. We still have a way to go, but the foundations are solid and available starting today. PRODUCER PROFILE Established in 2010 Laila Films is a boutique production company focused on emerging Israeli and international voices, Tamir's filmography, spanning close to fifty feature films, includes Nadav Lapid's Locarno Film Festival award-winner POLICEMAN, Keren Yedaya's Cannes Film Festival Caméra d'Or winner OR, Israel's 2019 Oscar-entry The CAKEMAKER, Dani Rosenberg’s film, OF DOGS AND MEN, Venice 2024, and films by Tsivia Barkai Yaacov, Anat Maltz, Raphael Najadri, and many others. PRODUCTION CONTACT DETAILS itai@laila-films.com +972 54 564 144 Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 3RD EDITION SERIES CATALOGUE 3RD EDITION PARTICIPANTS AND PROJECTS JURY MENTORS TEAM

Beginning Dea Kulumbegashvili Producer Rati Oneli Lab Edition 6 , 2017 SCENE PITCH Production ​ Country Gorgia SYNOPSIS In a sleepy provincial town, a Jehovah's Witness community is attacked by an extremist group. In the midst of this conflict, the familiar world of Yana, the wife of the community leader, slowly crumbles. Yana's inner discontent grows as she struggles to make sense of her desires. DIRECTOR'S NOTE ​ ABOUT THE FILMMAKER ​ PRODUCER Rati Oneli ​ ​PRODUCTION COMPANY PROFILE ​ ​PRODUCTION BUDGET ​ LANGUAGE ​ GENRE ​ Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

Dea Kulumbegashvili Director: 2017 Year of lab participation: 6 Lab edition: Gorgia Country: Rati Oneli Producer: Beginning In a sleepy provincial town, a Jehovah's Witness community is attacked by an extremist group. In the midst of this conflict, the familiar world of Yana, the wife of the community leader, slowly crumbles. Yana's inner discontent grows as she struggles to make sense of her desires. Synopsis Toronto International Film Festival 2020 - FIPRESCI Prize San Sebastián International Film Festival 2020 - Best Film, Best Director, Best Screenplay, Best Actress New York Film Festival 2020 Busan International Film Festival 2020 Tallinn Black Nights Film Festival 2020 Adelaide Film Festival 2020 - Best Feature Singapore International Film Festival 2020 - Best Director Jerusalem Film Festival 2021 Jerusalem Sam Spiegel Film Lab 2017 - 2nd Prize Winner Festivals & Awards 2020 Year of release: Trailer IMDb PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ

“Girls Will Be Girls” by Shuchi Talati, developed in the 9th edition of the Film Lab (2021), is premiering at the Sundance Film Festival international dramatic competition. The Indo-French co-production, brought to us by Initiative Film, has it all “complicated relationships, weird sex dynamics, uncomfortable humor”, as Shuchi says. We are really proud! Sundance is happening for “Girls Will Be Girls” NEWS ITEM PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME FILM LAB SERIES LAB TEAM NEWS

Add a Title Add a Title Send Send Meny Aviram Producers: ​ , Aleeza Chanowitz Big Crater Lab Edition 3 2024 PITCH LOGLINE Anxious about the future of the world, very pregnant Devorah (35) attends a wilderness survival course. But before she learns how to survive mother nature, she’ll first have to survive her own mother. SYNOPSIS Pregnant Devorah (35) is distressed about losing herself and ending up like her needy mother after birth. Instead of “falling down the stairs”, she signs up for a two-month wilderness survival course on an ecological farm in the Israeli desert. Just as she eases into communal life, Devorah’s mother Deedee (60) joins the course, ruining her plans. When Devorah goes into labor before the course is over, she accepts that to live is to take a risk, and that ending up like her mother isn’t so bad. WRITER'S STATEMENT When ISIS was a thing, I Marie Kondo-ed my belongings and joined an ecological farm. Over the years I have exchanged some anxieties for others, though some have steadfastly remained: Holocaust II and climate change. Despite that, I had a child; I'm optimistic- the world can become a better place. But the experience of childbirth brought on the new fear of turning into my parents. And this, in a way, is the most challenging fear; no composting or forged papers will save me. This series is based on my experiences from the farm and my impossible yearning to change my destiny and be my own person. PRODUCER'S STATEMENT Aleeza is one of the most talented and promising screenwriters and directors in Israel. Our mutual success with her first series, "Chanshi", which was the first Israeli series shown at Sundance festival, encouraged us to try harder. I believe that "Big Crater" has a huge potential and is Aleeza's big next step: making a name for herself in her native America. LOOKING FOR ​ Back To Participants HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

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My Mother, The Monster Olivér Rudolf, Zsigmond Kung Producers Genovéva Petrovits, Florent Coulon, Jörgen Andersson Lab Edition: 12 , 2024 SCENE PITCH Production Kino Alfa, Hungary; Vrai Vrai Films, France Country Hungary, France SYNOPSIS Éva is an unhappy wife and mother, suffering from the compromises she made in her life. She finds a scary monster mask that expresses her frustrations and suppressed desires. She decides to rebel against the world with the mask on. The visibility she gains, liberates her. Éva burns down her previous life and finds joy after long years of depression. She discovers a welcoming community in a drag bar where she sings as Monster Lady. While she is away, her teenage daughter is completely left alone. DIRECTOR'S NOTE There’s a Hungarian song with the lyrics - “I want to do something in the world that no one has ever done before, but me.” This line strongly expresses our protagonist’s internal world. The heroic struggle of Éva against the feeling of insignificance. She is not alone. There are many people who want to escape the poisonous atmosphere of their lives and society. Any of them could be Éva, but not all of them have the courage to make it happen. This film is an ode to rebels and rebellion. ABOUT THE FILMMAKERS ○ Olivér Rudolf | Director-Writer Born in Budapest, Hungary, in 1991. He graduated from FreeSZFE in partnership with Filmakademie Wien. His short film Fonica M-120 premiered at Cannes Cinéfondation and was selected for the Sarajevo Film Festival in 2021. His feature film project My Mother, the Monster won a Creative Europe mini slate grant, took part in Full Circle Lab, won development support from France, Nouvelle Aquitaine region, and won the Eurimages co-production award at Sarajevo Film Festival in 2023. ○ Zsigmond Kungl | Co-Writer Born in Budapest, Hungary, in 1996. He graduated at the University of Theatre and Film Arts, Budapest in 2020. He is the permanent co-writer of Olivér Rudolf. After graduation, Zsigmond studied directing at FAMU International. His feature film project Andor, Liza, and the Boy, Who Didn’t Want to Have Sex was selected to the Script Station of Talents Sarajevo, and won the Romanian screenplay competition, Write a Screenplay For..., founded and organized by Cristian Mungiu. ABOUT THE CO-WRITER ​ PRODUCERS Genovéva Petrovits, Florent Coulon, Jörgen Andersson ​ ​PRODUCTION COMPANY PROFILE Genovéva studied theater at La Sorbonne and then had a diploma of French language and literature in Budapest. In 2013 she completed the training programme Atelier-Ludwigsburg Paris. In 2015, she obtained an MA in Art Management at MOME. In 2019 she founded Kino Alfa production company and she has committed herself to producing authors from Hungary who wish to work with subjects reflecting in a subtle and personal way on the world we are living in. We work with producers from France, Germany, Sweden and Romania. These committed partners understand the politicized conditions currently dominating the Hungarian Film Institute. We are also part of the community of Hungarian filmmakers who do films despite the system. We make it possible with joint local partners to finance low-budget films. Our recent production made within this structure is in post-production, entitled "A Hunt For Hedgehogs". ○ Kino Alfa - Budapest, Hungary ○ genoveva.petrovits@kinoalfa.hu ○ Genovéva Petrovits: +36205015531 ○ Vrai Vrai Films - Saintes, France | florent@vraivrai-films.fr ○ Doppelganger - Stockholm and Sundsvall, Sweden | jorgen@doppelganger.se ​PRODUCTION BUDGET ○ The production budget in USD: 1,181,600 USD ○ Confirmed budget in USD and source: 148,866 USD MEDIA mini slate grant, Eurimages co-production development award, Nouvelle Acquitaine and Charente-Maritime development grant and producer’s own investment LANGUAGE Hungarian, English GENRE Drama Back To Participants PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 12TH EDITION CATALOGUE GREETINGS 12TH EDITION PARTICIPANTS AND PROJECTS JURY MENTORS LAB FILMS LIVE